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Sunday, April 9, 2017

The War in Syria Explained: 5-minute history

The War in Syria Explained
A 5-Minute History
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Who is Fighting and Why
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How Syria’s civil war became America’s problem.
Updated by Zack Beauchamp
Published on Apr 7, 2017
Watch how the Syrian civil war became the mess it is today.
After four-plus years of fighting, Syria's war has killed at least hundreds of thousands of people and displaced millions. And, though it started as a civil war, it's become much more than that. It's a proxy war that has divided much of the Middle East, and has drawn in both Russia and the United States. To understand how Syria got to this place, it helps to start at the beginning and watch it unfold:


On the face of it, President Trump’s decision to attack Syria doesn’t make a lot of sense. Launching 59 missiles at a single airbase, as Trump did, is not going to seriously change the outcome of a years-long civil war. So what’s the point of doing it at all?

Understanding the answer to that question, and really anything the United States does and does not do in Syria, requires understanding the real nature of the country’s horrific civil war. At its heart, it is a conflict between a regime that represents a minority of its citizens and the majority who want it gone. But over time, it has spiraled into an immensely complicated international war, with some of America’s most significant enemies and closest partners on various different sides.

“It has been one of the hardest issues that I’ve faced as president,” President Barack Obama said in a December 2016 press conference. “Syria is the most complex, complicated issue I have ever had to deal with," then-CIA Director John Brennan said during a discussion at the Brookings Institution last year.

Getting involved in this war in any serious way is immensely complicated and risky, which is why the Obama administration largely avoided doing so, and why it never struck Assad directly. Trump’s strike tried to thread the needle by punishing the Assad regime specifically for its use of chemical weapons without getting dragged into the broader conflict.
What follows is a guide to the core dynamics at work in Syria: how the civil war began, how it evolved, when US foes like Russia got involved, what two American presidents have been willing to do — and what happens next. 

How Syria’s civil war began — and why America cares so much
Assad protest 2012
Protesters burn images of Syrian President Bashar al-Assad at a protest on April 9, 2012
When Syrians rose up as part of the wave of Arab Spring protests against Middle East dictators in 2011, Assad quickly decided to emulate his father, Hafez, and try to tamp down the protests through the use of force. The goal was to turn the broad-based protest movement from a political struggle — which Assad’s unpopular regime was bound to lose — into a military one, where his control of the army meant he might be able to kill his way to victory.
"It was very much a strategic decision that the regime made, to militarize the conflict right away," Glenn Robinson, an associate professor at the Naval Postgraduate School, told me in an interview. "I think in their mind, and correctly, if this becomes a political battle where populations matter, the regime probably only has support of a third of the country. ... If this becomes a political contestation, the opposition has the numbers."
The grim way of implementing this plan, slaughtering protestors en masse until they were forced to pick up arms in self-defense, got Assad the war he wanted. In July 2011, defectors from Assad’s regime formed an organized militia called the Free Syrian Army to protect protesters and strike back at Assad. By January 2012, the Syrian uprising had devolved into a full-blown civil war pitting the FSA and other assorted rebel groups against Assad and his supporters.
The strategic stakes of this war, both for the Middle East as a region and for the United States, are enormous — for three main reasons.
The first is Iran. Syria's alliance with Tehran dates back to 1980 and is critical to Iran’s regional ambitions. It uses Syria to convey weapons and other goods to its proxy militias and allies, most notably Hezbollah in Lebanon and Hamas in Gaza. In return, Assad's regime gets military and political assistance from Tehran.

Iranian leaders saw the revolt against Assad as a threat not just to him but also to them. In 2012, Iran responded by sending in Hezbollah to fight on Assad's side, an intervention that played an important role in Assad’s campaign against the rebels.
At the same time, though, Iran’s backing made Assad into a target for some of America’s closest partners in the region. Since the Iraq War, and maybe earlier, the oil-rich Sunni Arab states along the Persian Gulf — particularly Saudi Arabia, the largest and strongest — had been embroiled in a sort of cold war with Iran, a Shiite theocracy. Both sides wish to steer the political course of the Middle East, and see the other as a fundamental threat to their security.
So when Assad began to teeter, the Gulf states saw an opportunity to unseat one of Iran's principal allies and started sending arms to the Syrian rebels. In March 2013, the Arab League voted to give its members explicit permission to arm the Syrian opposition. In May of that year, the Financial Times reported that Qatar alone had given $3 billion in aid to the rebels. In just one shipment in 2015, Saudi Arabia provided rebels with 500 deadly TOW anti-tank missiles.

The Syrian conflict thus became more than just a civil war: It became a proxy fight between Iran and America’s Gulf allies, whose outcome was of vital significance for both sides.
It also quickly became a proxy standoff between Washington and Moscow.
Russia’s ties to Syria go all the way back to the Cold War: According to one scholar, the Soviets "essentially built" the modern Syrian military in the 1960s. Continued support for the Assad government gave the USSR its most reliable ally and proxy in the Middle East.
Today, Syria remains one of Russia's few reliable allies outside of the former Soviet republics, a vestige of Moscow's former superpower status and a final military toehold in the Middle East. Russia maintains a valuable naval base today at Tartus, on Syria's Mediterranean coast, and has sold a number of surplus weapons to Assad. Between 2006 and 2010, 48 percent of Syrian arms imports came from Russia. Assad’s defeat, then, would have been a major strategic blow to Vladimir Putin’s regime — which has ambitions of restoring Russia’s Cold War status as a great power with global influence.
“This matters to [the Russians] ... more than it would if they had another 10 [allies to spare],” says Doug Ollivant, who oversaw Iraq policy at the National Security Council from 2008 to 2009 and is now a managing partner at Mantid International.
As a result, Russia has been backing Assad since the war began. In 2011 alone, Russia vetoed a UN Security Council resolution condemning Assad’s crackdown on protesters, and sold nearly $1 billion in arms to Assad’s regime.
Putin’s support for Assad has steadily escalated, with Moscow selling Assad advanced air defense systems and refurbished MI-25 attack helicopters. By September 2015, Russia was a direct participant in the war. Russian warplanes and helicopters are hitting Assad’s enemies from the air, and Moscow has artillery pieces bombarding rebels and special forces embedded with Syrian troops. Some estimates place the number of Russian soldiers in Syria today at around 10,000.
The third and final issue is terrorism. Since practically the beginning of the conflict, al-Qaeda had been sending forces into Syria, seeing a chaotic civil war as a great environment for them to use as a safe haven and a place to get recruits. By mid-2012, the Syrian al-Qaeda franchise, Jabhat al-Nusra, had allied with some relatively moderate rebels — and established themselves as one of the most effective anti-Assad fighting forces. Qatar in particular showered Nusra with cash in an effort to quickly topple Assad.
Put those three things together — Iran, Russia, and terrorism — and you get a sense of why first Obama and now Trump have to varying degrees felt the need to involve America in a brutal and seemingly intractable conflict.

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The US policy under Obama:
(mostly) non-intervention
Obama was president during the bulk of the Syrian civil war, and his legacy as commander in chief will be shaped in part by what he chose to do there — and what he chose to avoid.
One of those things was to refuse to endorse any kind of large-scale effort aimed at toppling Assad — repeatedly overruling members of his administration, like Secretary of State Hillary Clinton and CIA Director David Petraeus, who wanted to provide more advanced weaponry to the rebels. Parallel CIA and Pentagon efforts to recruit, train, and arm Syrian rebels did little to shape the course of the conflict; in 2015, the Defense Department had to concede that its $250 million effort had trained a grand total of 60 fighters (that’s more than $4 million per trainee).
Perhaps the defining moment came on August 21, 2013, when Assad's forces launched sarin gas — a horrifying and deadly chemical weapon — into the Damascus suburb of Ghouta, killing up to 1,423 people. Most of the dead were civilians.
Prior to the attack, President Obama had declared chemical weapons use to be a "red line": If Assad used them, it would trigger an American military response. But after Ghouta, Obama didn't seem to want to follow through. He submitted a plan for punitive airstrikes in Syria to Congress, where lawmakers from both parties signaled that it was likely to fail.
Russia offered Obama a way out of his self-made dilemma. It brokered a deal with Assad where he would agree to give up his chemical weapons and submit to international inspections if the United States agreed not to attack Assad.

The Obama team accepted this as a lifeline. As they saw it, the critical issue was never the Syrian civil war, which the president had decided was too risky to intervene in. Rather, it was the use of chemical weapons — a particularly heinous act prohibited by international law. If the threat of American military force got Assad to back down from chemical use, that would make chemical weapons use less likely in Syria and in other conflicts without putting American troops in harm’s way or risking a wider conflagration.
“I’m very proud of this moment,” Obama told the Atlantic’s Jeffrey Goldberg. ““The overwhelming weight of conventional wisdom and the machinery of our national-security apparatus had gone fairly far. The perception was that my credibility was at stake, that America’s credibility was at stake. And so for me to press the pause button at that moment, I knew, would cost me politically [but] I believe ultimately it was the right decision to make.”
Critics, by contrast, saw it as a cop-out. They argued that if Obama wouldn’t intervene after drawing a “red line” about chemical use, Assad and his allies would see it as proof that the US would never intervene for any reason. This, according to some experts, is the key reason Russia decided to escalate so dramatically in 2015: They came to believe that Obama wasn’t as invested in trying to push out Assad as they were in trying to keep him in power, which means the US would largely give them a free hand. In essence, Obama’s attempt to deter chemical weapons use destroyed his ability to deter Russian intervention.
“It is precisely when Obama went for the chemical weapons deal over strikes in 2013 that Moscow understood it had escalation dominance in Syria,” Emile Hokayem, a Syria expert at the International Institute for Strategic Studies, wrote in April.
This is a debatable point, to be sure. But there is no question that Obama left office with a civil war that had already killed at least 470,000 Syrians grinding along with no end in sight.
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Wait, wasn’t the US bombing Syria before Trump?
There was one major exception to Obama’s hands-off policy in Syria: the war on ISIS. But it was carefully limited, in ways that show why Trump’s strike was such a major shift.
After the militant group swept across northern Iraq in June 2014, and came to control a swath of territory in Syria and Iraq roughly the size of Great Britain, the scale of the terrorist threat became impossible to deny. This, together with the videotaped beheadings of two American journalists, prompted Obama to declare a plan to "degrade and ultimately destroy" ISIS on September 10.
The linchpin of the plan was a series of American airstrikes, both in Syria and in Iraq, supporting forces on the ground that were fighting ISIS. In Iraq, that meant the official Iraqi army as well as tribal leaders and Shia militias. But it wasn’t clear, initially, who that would be in Syria.
Most rebel groups were preoccupied fighting Assad, and had no ability to really refocus on the Islamic State. The same was true, in reverse, for Assad; he had long maintained a sort of de facto ceasefire with ISIS so he could focus on fighting the moderate rebels whom he saw as a bigger threat.
The US ended up settling on fighters from the Kurdish ethnic group, based in northern Syria near the Turkish border, as their key allies. These Kurds were mostly uninvolved in the main civil war, as their chief objective was carving out a Kurdish state in majority-Kurdish areas rather than toppling Assad’s regime in Damascus. Moreover, ISIS had invaded their territory, and was besieging a Kurdish city named Kobane at the time of the US intervention.
So the thousands of missions flown by American warplanes, and hundreds of US special forces deployed to Syria, were supposed to accomplish two things: cut ISIS’s supply lines between Syria and Iraq, and back Kurdish forces in their fight against ISIS.
On this metric, they’ve more or less succeeded. American airstrikes helped break the siege of Kobane and allowed Kurdish forces to launch a counteroffensive that swept over ISIS’s holdings in north central Syria. Today, a joint Kurdish-Arab military group called the Syrian Democratic Forces is camped out within miles of ISIS’s capital city, Raqqa — and are preparing to attack the city itself, with major backing from US troops.
But note the delicacy of this strategy when it came to the main conflict in Syria.
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The United States was fanatical about limiting the scope of this counter-ISIS campaign — in particular, making sure it never became a counter-Assad campaign. When the Pentagon sent weapons to some Syrian rebels whom they wanted to fight ISIS, it made them promise not to use those weapons against Assad. (The tiny number of rebels who took the US up on this weak offer were swiftly slaughtered by al-Qaeda forces.)
This only intensified after the Russian intervention began in September 2015. US and Russian forces developed a procedure for flying in the same airspace, called deconfliction, designed to ensure that there was no accidental US bombing of Russians or Assad forces. US and Russian planes managed to fly near each other, for well over a year, with no major incident — even as Russian planes were on their way to drop bombs on Syrian civilians.
This made crystal clear to both the Russians and the Syrians that the United States had no interest in intervening in their war on the rebels. They developed a sense of impunity — enabling atrocities like Tuesday’s chemical attack.


Why Trump’s strike is a major, but limited, escalation
There was little reason to believe that Trump would treat Assad and Russia more harshly than Obama did. During the red line debate in 2013, he tweeted repeatedly and angrily against a strike, warning Obama to back down.
“AGAIN, TO OUR VERY FOOLISH LEADER, DO NOT ATTACK SYRIA,” he tweeted at the time (all caps his). “IF YOU DO MANY VERY BAD THINGS WILL HAPPEN & FROM THAT FIGHT THE U.S. GETS NOTHING!”
During the presidential campaign, Trump even suggested that Assad’s rule was better for Syria than the alternatives. “We don't know who the rebels are,” he said in an October presidential debate. “If they ever did overthrow Assad ... you may very well end up with worse than Assad.”
Trump did not return to his “partner with Russia” policy after taking office. But he did shift the US’s Syria policy, at least rhetorically, with several administration officials suggesting the US would accept Assad staying in power. (Obama wasn’t doing anything substantive to oust Assad but was at least rhetorically committed to his departure.)
The April 4 gas attack profoundly changed that calculus.
First, Trump seemed genuinely angry and horrified by the photos and videos of children killed in the chemical weapons strike, and wanted something done about it.
This isn’t as much of a surprise as it might seem: Trump has always been more of an instinctive hawk than was genuinely believed. Back in March 2011, when Libya’s Muammar Qaddafi was killing his own people in the early stages of the country’s civil war, Trump released a video calling on then-President Obama to “stop this guy” and “save these lives.”
Thomas Wright, a scholar at the Brookings Institution who has spent the past several months studying Trump’s foreign policy doctrine, thinks a similar kind of emotional reaction might be at work here.

“There [have been] very few iconic images of brutality from the Syrian civil war,” he says. “A picture of a lot of children gassed is pretty horrific for anyone to see.”
The second factor here is the nature of the attack itself.

The goal of the 2013 deal Obama made with Syria wasn’t just to eliminate Syria’s chemical weapons stockpile (a goal at which it clearly failed). It was to show that chemical weapons were somehow different from normal weapons, more unacceptable. The agreement was supposed to show that rogue actors like Assad have two choices: either agree to stop using chemical weapons or face some kind of punishment.
Since 2013, this had more or less worked: Assad had not used a nerve agent prohibited by the Chemical Weapons Convention (though he has used chlorine gas, a chemical weapon that isn’t explicitly banned).

What’s known as the “norm” against chemical weapons use — the idea that chemical weapons were, like nuclear and biological weapons, a special kind of evil to be prohibited even in vicious wars — had been upheld, seemingly backstopped by US threat of force.
Tuesday’s attack made clear that Assad was prepared to break that norm at will, something certainly not lost on Defense Secretary Mattis or National Security Adviser H.R. McMaster. They know how serious a violation of the norms around chemical weapons this attack is and how important it is to limit the use of such of weapons. They have likely told the president this, and informed him that American credibility is on the line.
“This is a kind of flagrant flouting of that agreement. ... It’s physical proof that they’ve duped the international community,” Michael Hanna, a senior fellow at the Century Foundation who follows the Syria conflict, says. “It is different than other kinds of war crimes committed by the regime, and ... that view is clearly going to be relayed to him by his close advisers.”

This appears to be the main reason Trump struck Syria. His goal wasn’t to intervene in any of the broader and more complicated dynamics of the war — to stop the civil war or weaken Iran. Rather, it’s a pinpoint, one-off strike designed to tell Assad that chemical weapon use will be punished. As Trump put it in his address Thursday night:
Tonight, I ordered a targeted military strike on the airfield in Syria from where the chemical attack was launched. It is in the vital national security interest of the United States to prevent and deter the spread of chemical weapons.

By going out of his way to emphasize that this US strike targeted the exact airbase from where the chemical attack was launched, Trump is making it clear that the strike was designed as a specific punishment for the recent chemical attack — and not a broader effort aimed at striking Assad until he stops bombing civilians or leaves power.


Meanwhile, the rebels are in trouble. The city of Aleppo, a major rebel stronghold, fell to Assad in December 2016. While he may not be on the verge of defeating the rebels outright, it’s clear that they’re in no position to topple him. Trump’s limited strike won’t change that: The damage was so contained, in fact, that Syrian warplanes were already flying missions out of the sole airbase Trump targeted by Friday afternoon.

There are two main questions going forward. First, will Trump’s strikes successfully deter Assad from using chemical weapons again — and they don’t, how will Trump respond? Second, could this limited initial attack quickly escalate into something far larger, with Trump potentially being pressured into trying to not just constrain Assad but push him out of power?
We don’t know the answers to these questions yet. But they will play a significant role in determining America’s role in Syria — and, possibly, the future course of the Syrian civil war itself.


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Serge Reggiani 🎼 Le Déserteur

Serge Reggiani
Le Déserteur
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The poem, "Dormeur du Val" by Arthur Rimbaud and the song "Le Déserteur", written by Boris Vian and sung by Serge Reggiani, make a strong pacifist statement on the ravages of war. 

"Quand létat t'enseigne a tuer, il se fait appeler patrie." Friedrich Dürrenmatt

Musique: Harold Berg
Texte: Boris Vian
Images: "Los desastres de la guerra" de Goya

 
Monsieur le Président Depuis que je suis né Je mendierai ma vie
Je vous fais une lettre J'ai vu mourir mon père Sur les routes de France
Que vous lirez peut-être J'ai vu partir mes frères De Bretagne en Provence
Si vous avez le temps Et pleurer mes enfants Et je dirai aux gens:
Je viens de recevoir Ma mère a tant souffert Refusez d'obéir
Mes papiers militaires Elle est dedans sa tombe Refusez de la faire
Pour partir à la guerre Et se moque des bombes N'allez pas à la guerre
Avant mercredi soir Et se moque des vers Refusez de partir
Monsieur le Président Quand j'étais prisonnier S'il faut donner son sang
Je ne veux pas la faire On m'a volé ma femme Allez donner le vôtre
Je ne suis pas sur terre On m'a volé mon âme Vous êtes bon apôtre
Pour tuer des pauvres gens Et tout mon cher passé Monsieur le Président
C'est pas pour vous fâcher Demain de bon matin Si vous me poursuivez
Il faut que je vous dise Je fermerai la porte Prévenez vos gendarmes
Ma décision est prise Au nez des années mortes que je porte des armes
Je m'en vais déserter J'irai sur les chemins et que je sais tirer.
 

Friday, April 7, 2017

500 Years of Female Portraits in Western Art

500 Years of
Female Portraits
In Western Art

90 Paintings 500 years in 3 minutes!
A mesmerizing 3-minute journey through 500 years of female portraits. Even if you're no art expert, you will still appreciate the beauty of these masterpieces and get blown away by the evolution of art over the years. 
How many of the 90 paintings did you recognize?
Watch the video first and then see how many artists you got correct below...

This Is How Much
The Female Portrait Has Evolved
In The Last 500 Years

By Katherine Brooks


Art history books have a reputation of showcasing dead, white, European males — DWEM — and the (mostly white) women they handpicked as muses. Portrait after portrait reveals a woman’s face through a man’s gaze, casting a rather unsavory light on the tendency of artists to eroticize, objectify or idolize the female form.
Artists in the 21st century have made strides to rectify art history’s mistakes — and critics and historians have begun to give women artists and artists of color their rightful place in the canon. But it’s difficult to forget the centuries of whitewashed paintings that still reign supreme. Case in point: artFido’s three-minute survey of 500 years of female portraits.

Names like Leonardo, Raphael, Hans, Peter, Pablo and Edouard dominate the list of featured paintings. Sure, the likes of Mary Cassatt and Louise Élisabeth Vigée Le Brun attempt to break up the monotony, but the portrait images expose the real story. Art history just didn’t really evolve in the last 500 years.

You can catch a bit of change in the last 30 seconds of the video above, as the (still very white) faces become more and more abstract. But the takeaway from this montage: the art world needs more diversity, and quick.


 
 
 
 

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500 Years of Female Portraits in Western Art
Philip Scott Johnson
High Resolution
by Philip Scott Johnson

Music: Bach's Sarabande from Suite for Solo Cello No. 1 in G Major, BWV 1007 performed by Yo-Yo Ma

Nominated as Most Creative Video - 2nd Annual YouTube Awards

Created using Abrosoft Fantamorph

High resolution version:  http://www.vimeo.com/1456037


See how many artists you got correct below...
or by heading to http://www.artfido.com/blog/500-years... to see the answers!
 
A list of the paintings used to create this video. Bach’s Suite No. 1, BWV 1007 In G Major- Sarabande Sound track performed by Yo-Yo Ma
Archangel (Angel of the Golden Locks) – Novgorod School, Russia late 12th century Self-Portrait in a Straw Hat – Elisabeth Louise Vigee-Le Brun 1782
La Scapigliata (The Lady of the Dishevelled Hair) – Leonardo da Vinci 1508 Portrait of Lady-in-Waiting to the Infanta Isabella – Peter Paul Rubensid 1620’s Portrait of Maggie Wilson – Frank Duveneck 1898
The Madonna of the Carnation – Leonardo da Vinci 1478-80 Lady with a Flower in her Hair – El Greco c. 1590-1600 Woman with a Pearl Necklace in a Loge – Mary Cassatt 1879
Mona Lisa (La Gioconda) – Leonardo da Vinci 1503-05 Madame Barbe de Rimsky-Korsakov – Franz Xaver Winterhalter 1864 Ideal Head – Julian Alden Weir c. late 19th century
Lady with a Unicorn – Raphael c. 1505 Young Housewife – Alexei Vasilievich Tyranov 1840’s Portrait of a Woman – Paul Cesar Helleu 1909
The Birth of Venus – Sandro Botticelli 1485 Portrait of M. I. Lopukhina – Vladimir Lukich Borovikovsky 1797 Ols Maria – Anders Zorn 1918
Portrait of a Young Woman – Titian (Tiziano Vecellio) 1536 Portrait of V. S. Putyatina – Alexey Gavrilovich Venetsianov 1815-1816 The Artist – Alphonse Maria Mucha 1920
Portrait of a Lady as St. Lucy – Giovanni Antonio Boltraffio 1500 Madame Pasteur – Antoine-Jean Gros 1795-96 The Matyr of the Solway – John Everett Millais 1871
Sacred Conversation – Giovanni Bellini 1490 Amalie von Schintling – Joseph Karl Stieler 1831 Madeleine Bernard – Paul Gauguin 1888
Profane Love (Vanity) – Titian (Tiziano Vecellio) 1514-1515 Portrait of M. A. Kikina – Orest Adamovich Kiprensky 1816 Woman with a Hat – Henri Matisse 1905
Judith with the Head of Holofernes – Titian (Tiziano Vecellio) c. 1515 Woman with a Pearl – Jean-Baptiste-Camille Corot c. 1869 Madras Rouge – Henri Matisse 1907
Mary Magdalene – Pietro Perugino 1500 The Reading – Edouard Manet 1869 Cocolo – Francis Picabia 1936-38
Portrait of Ginevra de Benci – Leonardo da Vinci 1476 Berthe Morisot – Edouard Manet 1872 Ritratto di Signora di Klimt – Gustav Klimt 1916-17
Lady with an Ermine (Portrait of Cecilia Gallerani ) – Leonardo da Vinci 1483 – 1490 Charlotte Dubourg – Henri Fantin-Latour 1882 La fleur (serigraph) – Henri Matisse 1937
Virgin Annunciate (Maria der Verkundigung) – Antonello da Messina 1476 Portrait of an Italian Woman – Alexei Vasilievich Tyranov 1851 Portrait of Lydia Delectorskaya, the Artist’s Secretary – Henri Matisse 1947
La Donna Velata (Woman with a Veil) – Raphael c.1514 Princess Albert de Broglie – Jean Auguste Dominique Ingres 1851-53 The Mask – Louis Welden Hawkins 1905
Portrait of a Young Venetian Woman – Albrecht Durer 1505 An Elegant Beauty – William Clark Wontner c. early 20th century Les Fleurs du Mal (Flowers of Evil) – Rene Magritte 1946
Portrait of a Woman – Lucas Cranach the Elder 1526 Souvenir – William-Adolphe Bouguereau 1895 F. Champenois – Alphonse Maria Mucha 1897
Portrat der Maria Maddalena Portinari – Hans Memling 1470 La Belle Liseuse (The Beautiful Reader) – Leon Francois Comerre 19th century Cycles Perfecta – Alphonse Maria Mucha 1902
Lais of Corinth – Hans Holbein the Younger 1526 Modesti – William-Adolphe Bouguereau 1902 Raphaelesque Head Exploding – Salvador Dali 1951
Portrait of Elsbeth Tucher – Albrecht Durer 1499 Pavonia – Lord Frederick Leighton 1858-59 Head Bombarded with Grains of Wheat – Salvador Dali 1954
Georgiana, Duchess of Devonshire – Sir Joshua Reynolds 1775-76 A Portrait of a Young Lady – Eugene de Blaas c. late 19th century Apparition of a Face with a Fruit Dish on a Beach – Salvador Dali 1938
Jane, Countess of Harrington – Sir Joshua Reynolds 1778 Musette – Eugene de Blaas 1900 Woman Torso – Kazimir Malevich 1928-1932
Mrs. John Hale – Sir Joshua Reynolds 1762-64 An Arab Beauty – Leon Francois Comerre c. late 19th century American Beauty (The Movie Star) – Knud Merrild 1928
Mrs. Abington – Sir Joshua Reynolds 1764-1773 Girl Braiding Her Hair (Suzanne Valadon) – Pierre Auguste Renoir 1885 Portrait of Lunia Czechowska – Amedeo Modigliani 1919
Charlotte-Aglae d’Orleans (Duchesse de Modene) – Pierre Gobert 1744 Portrait of Madame Henriot – Pierre Auguste Renoir 1877 Tumblers (Mother and Son) – Pablo Picasso 1905
Portrait of Suzanna Huygens – Caspar Netscher 1667-69 Two Sisters on the Terrace – Pierre Auguste Renoir 1881 Maternity – Pablo Picasso 1905
The Marquise de Seignelay and Two of her Children – Pierre Mignard 1691 Portrait of the Actress Jeanne Samary – Pierre Auguste Renoir 1878 Nude Woman In A Red Armchair – Pablo Picasso 1932
Madame Victoire de France – Jean-Marc Nattier 1748 La Chevelure (Young Woman Braiding Her Hair) – Pierre Auguste Renoir 1876 Portrait of Francoise – Pablo Picasso 1946
Unknown Woman in a Blue Dress with Yellow Trimmings – Fyodor Rokotov 1760’s Blonde Nude – Pierre Auguste Renoir 1882
Le Chapeau de Paille (The Straw Hat) – Peter Paul Rubens c. 1626 La Promenade – Edouard Manet c. 1880

Ma liberté ♪♪ Serge Reggiani ♪ Georges Moustaki ♪♪

Ma liberté
Serge Reggiani  ♪♪ Georges Moustaki
Chanson-repère écrite par Georges Moustaki pour son ami, Serge Reggiani, mais interprétée avec beaucoup de talent et sensibilité par son auteur, aussi.

Hommage à deux grands ARTISTES:
  • Serge Reggiani       (2 Mai 1922 - 23  Juillet 2004) 
  • Georges Moustaki (3 Mai 1934 - 23  Mai 2013)
Ils habiteront, sans doute, dans nos cœurs (pour) toujours...

Ma liberté
Musique et paroles : Georges Moustaki
 
Ma liberté, Ma liberté,
Longtemps je t'ai gardée Tu as su désarmer
Comme une perle rare, Mes moindres habitudes,
Ma liberté, Ma liberté,
C'est toi qui m'a aidé Toi, qui m'a fait aimer
A larguer les amarres. Même la solitude,
On allait n'importe où, Toi, qui m'as fait sourire
On allait jusqu'au bout Quand je voyais finir
Des chemins de fortune, Une belle aventure,
On cueillait en rêvant Toi, qui m'as protégé
Une rose des vents Quand j'allais me cacher,
Sur un rayon de lune... Pour soigner mes blessures...
Ma liberté, Ma liberté,
Devant tes volontés Pourtant je t'ai quittée
Ma vie était soumise, Une nuit de décembre,
Ma liberté, J'ai déserté
Je t'avais tout prêté, Les chemins écartés
Ma dernière chemise... Que nous suivions ensemble...
Et combien j'ai souffert Lorsque, sans me méfier,
Pour pouvoir satisfaire Les pieds et poings liés,
Toutes tes exigences : Je me suis laissé faire
J'ai changé de pays, Et je t'ai trahi
J'ai perdu mes amis Pour une prison d'amour
Pour gagner ta confiance... Et sa belle geôlière...
Et je t'ai trahi
Pour une prison d'amour
Et sa belle geôlière...

♪♪ ♪♪
George Moustaki ♪♪ Ma Liberté