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Tuesday, June 29, 2021

Opera🎼Dictionary

🎼Opera 🗣  Dictionary📖
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ARIA: A solo piece written for a main character, which focuses on the character’s emotion.

DIVA: Literally “goddess,” it refers to an important female opera star. The masculine form is Divo.

PRIMA DONNA: Literally “first lady;” the leading woman singer in an opera. Because of the way some have behaved in the past, it often refers to someone who acts in a superior and demanding fashion. The term for the leading man is Primo Uomo.

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SOPRANO: The highest female singing voice.

MEZZO-SOPRANO: The middle female singing voice, lower than soprano, but higher than contralto.


CONTRALTO (kuhn-TRAL-toh): The lowest female singing voice.
 
SPINTO (Voice type): A lyric voice that has the power and incisiveness for dramatic climaxes.


COLORATURA: Elaborate ornamentation of vocal music written using many fast notes and trills.

DRAMATIC (Voice type): The heaviest voice, capable of sustained declamation and a great deal of power, even over the largest operatic orchestra of about 80 instruments. This description applies to all voice ranges from soprano to bass.
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TENOR: The highest common adult male singing voice. (Countertenors are uncommon.)

BARITONE: The male singing voice that is higher than bass but lower than tenor.


BASS: The lowest male singing voice.

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COUNTERTENOR: The countertenor is a natural tenor (or sometimes baritone) with an elevated range. With training and practice this higher range, similar to that of a woman alto, becomes the natural voice.

FALSETTO: A method of singing above the natural range of the male voice. Often used in opera for comic effects such as a man imitating a woman. 


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CHORUS: A group of singers, singing together, who sometimes portray servants, party guests or other unnamed characters; also the music written for them.

CHORUS MASTER: The one in charge of choosing chorus members and rehearsing them for performance. If there is a backstage chorus, it is usually conducted by the chorus master who is in communication with the conductor of the orchestra.
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COMPOSER: A person who writes music.
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CONDUCTOR: The leader of the orchestra, sometimes called maestro.
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BEL CANTO: An Italian phrase literally meaning “beautiful singing.” A traditional Italian style of singing that emphasizes tone, phrasing, coloratura passages and technique. Also refers to opera written in this style.

BUFFO: From the Italian for “buffoon.” A singer of comic roles (basso-buffo) or a comic opera (opera-buffa).

CABALETTA: Second part of a two-part aria, always in a faster tempo than the first part.

CADENZA : A passage of singing, often at the end of an aria, which shows off the singer’s vocal ability.

CAVATINA (cah-vah-TEE-nah): The meaning of this term has changed over the years. It now usually refers to the opening, slow section of a two part aria. In Rossini’s time it referred to the entrance, or first aria sung by a certain character. Norma’s “Casta diva” is an example of a cavatina in both senses.

CLAQUE (klak): A group of people hired to sit in the audience and either applaud enthusiastically to ensure success or whistle and boo to create a disaster. In past years, leading singers were sometimes blackmailed to pay a claque to insure that claqueurs would not create a disturbance. Even now, a claque is sometimes used but rarely acknowledged.


COMMEDIA DELL’ARTE (cohm-MEH-dee-ah dehl-AHR-teh): A type of comic opera popular in Italy in the 16th to 18th centuries that involved improvisation using stock characters and gestures. The characters were often masked to represent certain archetypes.

COVER: The name given to an understudy in opera; someone who replaces a singer in case of illness or other misfortune.

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CRESCENDO (kri-SHEN-doh): A gradual increase in volume. Orchestral crescendos were one of Rossini’s trademarks.

CUE: In opera, a signal to a singer or orchestra member to begin singing or playing.

CURTAIN CALL: At the end of a performance, all of the members of the cast and the conductor take bows. Sometimes this is done in front of the main curtain, hence the name curtain call. Often, however, the bows are taken on the full stage with the curtain open.

CUT: To omit some of the original material from the score.

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DRESSER: A member of the backstage staff who helps the artists change their costumes. The principal singers usually have their own dresser. Supers and chorus members share dressers.

DRESS REHEARSAL: A final rehearsal that uses all of the costumes, lights, etc. While sometimes it is necessary to stop for corrections, an attempt is made to make it as much like a final performance as possible.

DUET: An extended musical passage performed by two singers. They may or may not sing simultaneously or on the same musical line.

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ENCORE: Literally means “again.” It used to be the custom for a singer to repeat a popular aria if the audience called “encore” loudly enough. This is still done in the middle of an opera in countries such as Italy, but it is rare elsewhere. Soloists frequently give encores at the end of a concert but not an opera.
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ENSEMBLE: Two or more people singing at the same time, or the music written for such a group.



FINALE: The last musical number of an opera or the last number of an act.

GRAND OPERA: Strictly speaking, opera without spoken dialogue. It is usually used to refer to opera which uses a large orchestra and chorus and grand themes.

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IMPRESARIO: A person who sponsors entertainment. In opera, the general director of an opera company.

INTERLUDE: A short piece of instrumental music played between scenes or acts.

LEITMOTIV (LEIT-moh-tif) or MOTIF: A short, recurring musical phrase associated with a particular character or event.

LIBRETTO: The text or words of an opera.

MAESTRO (mah-EHS-troh): Literally “master;” used as a courtesy title for the conductor. The masculine ending is used for both men and women.

MARK: To sing very softly or not at full voice. A full-length opera is very hard on a singer’s voice so most mark during rehearsals. During dress rehearsals singers try to sing at full voice for at least some of the time.

MELODRAMA: In a technique which originated with the French; short passages of music alternating with spoken words.

OPERA BUFFA (BOOF-fah): An opera about ordinary people, usually, but not always comic, which first developed in the 18th century.

OPERA SERIA
(SEH-ree-ah): A “serious” opera. The usual characters are gods, goddesses or ancient heroes. Rossini was one of the last to write true opera serie.

OPERETTA or MUSICAL COMEDY
: A play, some of which is spoken but with many musical numbers.

OVERTURE: An orchestral introduction to an opera.

PARLANDO (pahr-LAHN-doh): A style of singing like ordinary speech. It can occur in the middle of an aria.

PRINCIPAL:
A major singing role, or the singer who performs such a role.

RECITATIVE: Words sung in a conversational style, usually to advance the plot. Not to be confused with aria.

RÉPERTOIRE
(REP-er-twahr): Stock pieces that a singer or company has ready to present. Often refers to a company’s current season.

RÉPÉTITEUR (reh-peh-ti-TEUR): A member of the music staff who plays the piano for rehearsals and, if necessary, the piano or harpsichord during performances. They frequently coach singers in their roles and assist with orchestra rehearsals.

SCENA (SCHAY-nah): Literally “a scene;” a dramatic episode which consists of a variety of numbers with a common theme. A typical scena might consist of a recitative, a cavatina and a cabaletta.

SCORE: The written music of an opera or other musical work.

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SERENADE: A piece of music honoring someone or something.

SEXTET: A piece for six singers.

SINGSPIEL (ZING-shpeel): German opera with spoken dialogue and usually, but not necessarily, a comic or sentimental plot.

SITZPROBE (ZITS-proh-bah): Literally, “seated rehearsal,” it is the first rehearsal of the singers with the orchestra and no acting.

SOUBRETTE: A pert, young female character with a light soprano voice.

SURTITLES: Translations of the words being sung, or the actual words if the libretto is in the native language, that are projected on a screen above the stage.

TESSITURA: Literally “texture,” it defines the average pitch level of a role. Two roles may have the same range from the lowest to the highest note, but the one with a greater proportion of high notes has the higher tessitura.

TRAGÉDIE LYRIQUE: Early form of French opera that recognized a distinction between the main scenes and divertissements consisting of choruses, dances, etc.

TREMOLO: The quick, continuous reiteration of a pitch.

TRILL: Very quick alternation of pitch between two adjacent notes.

TRIO:
An ensemble of three singers or the music that is written for three singers.

TROUSER ROLE:
A role depicting a young man or boy but sung by a woman.

VERISMO: Describes the realistic style of opera that started in Italy at the end of the nineteenth century. Although the peak of the movement was past by the time of Puccini, his operas are a modified form of verismo.

VIBRATO: A natural wavering of frequency (pitch) while singing a note. It is usually inadvertent as opposed to a trill.

VOCAL COACH:
A member of an opera company who coaches singers, helping them with the pronunciation, singing and interpretation of a role.
Opera Dictionary
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Monday, June 28, 2021

Opera 🎼 Verdi 🇮🇹

Opera  🇮🇹 Verdi
                                                             👇   📺   👇                      Click  Below  to Choose   a Video   👇


  🇮🇹   🇮🇹  

Saturday, June 26, 2021

Female👬Male Dictionary

Female 👬 Male
Translation 📚 Dictionary
While Women and Men use the same words, they do not attach the same meanings to them.  This results in miscommunications, confusion, and frustration for all involved.   

This is a guide for men to use and better understand the women in their lives.
FINE
This is the word women use to end an argument when they feel they are right and you need to shut up. Never use "fine" to describe how a woman looks - this will cause you to have one of those arguments.

FIVE MINUTES
If she is getting dressed, this is half an hour. It is equivalent to the five minutes that your football game is going to last before you take out the trash, so it's an even trade.

NOTHING
This is the calm before the storm. It means "something," and you should be on your toes. "Nothing" is usually used to describe the feeling a woman has of wanting to turn you inside out, upside down, and backwards. "Nothing" usually signifies an argument that will last "Five Minutes" and end with "Fine"

GO AHEAD (With Raised Eyebrows)
This is a dare, not permission. Don't Do It ! One that will result in a woman getting upset over "Nothing" and will end with the word "Fine"

GO AHEAD (Normal Eyebrows)
This means "I give up" or "do what you want because I don't care" You will get a "Raised Eyebrow Go Ahead" in just a few minutes, followed by "Nothing" and "Fine" and she will talk to you in about "Five Minutes" when she cools off.

LOUD SIGH
This is not actually a word, but is a non-verbal statement often misunderstood by men. A "Loud Sigh" means she thinks you are an idiot at that moment, and wonders why she is wasting her time standing here and arguing with you over "Nothing"

SOFT SIGH
Again, not a word, but a non-verbal statement. "Soft Sighs" mean that she is content. Your best bet is to not move or breathe, and she will stay content.

THAT'S OKAY
This is one of the most dangerous statements that a woman can make to a man. "That's Okay" means she wants to think long and hard before deciding how and when you will pay for your mistake. "That's Okay" is often used with the word "Fine".

GO AHEAD!
At some point in the near future, you are going to be in some mighty big trouble.

PLEASE DO...
This is not a statement, it is an offer. A woman is giving you the chance to come up with whatever excuse or reason you have for doing whatever it is that you have done. You have a fair chance with the truth, so be careful and you shouldn't get a "That's Okay"

Whatever 
Is a woman's way of saying F-- YOU!

THANKS
A woman is thanking you. Do not question, or faint. Just say you're welcome.

THANKS A LOT
This is much different from "Thanks." It is PURE sarcasm and she is not thanking you at all. DO NOT say 'you're welcome', that will bring on a 'whatever'.  A woman will say, "Thanks A Lot" when she is really ticked off at you. It signifies that you have offended her in some callous way, and will be followed by the "Loud Sigh." Be careful not to ask what is wrong after the "Loud Sigh," as she will only tell you "Nothing"

Don't worry about it, I got it :
Another dangerous statement, meaning this is something that a woman has told a man to do several times, but is now doing it herself. This will later result in a man asking 'What's wrong?' For the woman's response refer to "nothing".

I told you about that: 
This means that she did tell you this and expected you to hear and remember it even though you were sleeping, in the shower, or watching a Victoria’s Secret commercial when she told you.

When are you going to do that: 
Pay attention to this one. It means that you have been asked to do something several times and this is your final warning before number 9 above happens.

Note:
There are several non-verbal methods of communication at a woman’s disposal:
    (A) The look of “You’ve got to be kidding”: This may be accompanied by a slightly raised eyebrow. She is storing this moment away for a later “I told you so” moment.
    (B) The look of Death: This means that if you proceed with what you just suggested, prepare to not get any loving for up to a month.
    (C) The look of Death with Lasers: That burning sensation means that if you proceed with what you just suggested, you better have a good lawyer.

Friday, June 25, 2021

Man's 🧑 Dictionary

Man's 🙋‍♂️Dictionary 📘
"IT'S A GUY THING"
                       Translated:
"There is no rational thought pattern connected with it, and you have no chance at all of making it logical."

"CAN I HELP WITH DINNER?"
 
                       Translated:
"Why isn't it already on the table?"

"UH HUH," "SURE, HONEY," OR "YES, DEAR"
 
                       Translated:
 Absolutely nothing. It's a conditioned response.

"IT WOULD TAKE TOO LONG TO EXPLAIN"

                     Translated:
 "I have no idea how it works."

"I WAS LISTENING TO YOU. IT'S JUST THAT I HAVE THINGS ON MY MIND."

                       Translated:
"I was wondering if that redhead over there is wearing a bra."

"TAKE A BREAK HONEY, YOU'RE WORKING TOO HARD."

                       Translated:
 "I can't hear the game over the vacuum cleaner."

"THAT'S INTERESTING, DEAR."

                      Translated:
"Are you still talking?"

"YOU KNOW HOW BAD MY MEMORY IS."

                     Translated:
"I remember the theme song to 'F Troop', the address of the first girl I ever kissed, and the vehicle identification numbers of every car I've ever owned, but I forgot your birthday."

"I WAS JUST THINKING ABOUT YOU, AND GOT YOU THESE ROSES."

                       Translated:
 "The girl selling them on the corner was a real babe."

"OH, DON'T FUSS - I JUST CUT MYSELF, IT'S NO BIG DEAL."

                       Translated:
"I have actually severed a limb, but will bleed to death before I admit that I'm hurt."

"I CAN'T FIND IT."
 
                   Translated:
 "It didn't fall into my outstretched hands, so I'm completely clueless."

"WHAT DID I DO THIS TIME?"
 
                  Translated:
"What did you catch me at?"

"I HEARD YOU."

                     Translated:
"I haven't the foggiest clue what you just said, and am hoping desperately that I can fake it well enough so that you don't spend the next three days yelling at me."
 
"YOU KNOW I COULD NEVER LOVE ANYONE ELSE."

                      Translated:
 "I am used to the way you yell at me, and realize it could be worse."

"YOU LOOK TERRIFIC."

                       Translated:
"Oh, God, please don't try on one more outfit, I'm starving."

"I'M NOT LOST. I KNOW EXACTLY WHERE WE ARE."

                     Translated:
 "No one will ever see us alive again."
 
MEN'S WEDDING CAKE
👶👧🧒👲 👦🧔🧑👨‍🦲👨 👳 🧑‍ 👨‍🦱 👴🧑‍ 👨‍🦰 👱👨‍🦳 👱‍♂️ 
 

Tuesday, June 22, 2021

Soweto Gospel Choir ♪ Hallelujah ♪ Amazing Grace ♪

Soweto Gospel Choir
Hallelujah 🎼 Leonard Cohen
VIDEO
Soweto Gospel Choir - “Hallelujah” (Leonard Cohen)
Performed as part of the Cairns Festival in Australia
Munro Martin Parklands 3rd September 2016


♪♪ ♪♪  ♪♪   ♪♪  ♪♪
Soweto Gospel Choir
Amazing Grace
VIDEO

♪♪ ♪♪  ♪♪   ♪♪  ♪♪

               

Fun Brain Games 🕹️Blow Your Mind Tricks

17 Fun Brain Games
Tricks And Trivia To Blow Your Mind

Enjoy a great set of fun brain games for kids, easy tricks and cool trivia that will blow your mind into pieces:
👇 📽️ 👇


00:14​ - Bets you'll always win.
Enjoy this set of cool bets explained, so you can always win them! But let's have a bit of fun: first, you'll have time to solve these tricky bets or better say tricky riddles and then I'll show you the answer how to win the bet. I'm sure you will crack most (not all) bets on your own 😉

02:26​ - Cool math trick that will guess your choice!
03:30​ - Card trick for kids to blow your mind!
04:00​ - Optical illusion to shatter your mind to pieces.

05:23​ - Cool optical illusion.
How many faces do you see? Where is the missing face? Cool optical illusion that will scratch your brain and crush your eyes! You won't believe what you are seeing and will pause the video to figure out what is happening in this cool riddle! Amazing tricks to learn and impress your friends around :) 

06:21​ - Trivia and useful quiz.
How have I even been living without this all these years? I'm not even upset I failed almost all the questions of this quiz because now I know how it should work! A tough but undoubtedly useful quiz that will test if you use your Excel program efficiently. How many of them did you get right?

07:48​ - Cool trivia question.
If you ever puzzle over how long a human can survive on different planets this amazing quiz with answers is just what you need! Take your trip around the solar system (virtually, of course!) to explore the remotest corners and impress your friends later on!

08:57​ - Trivia quiz.
This unbelievable trivia quiz will puzzle your mind a lot. I bet you've never thought about these well known products in such terms! I never believed even lunar soil could be sold. What surprised you most of all in this ranking? 

12:17​ - Mind blowing optical illusions.

Thursday, June 17, 2021

Interview 📺 Nightmare 😂 Bob Newhart

😂   Bob Newhart   😂
📺   Interview  😲 Nightmare  📺
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(Should Have Read his  Book!)
📕 👇   📺   👇📗
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😲 "Book Beat" was first broadcast in the US on Jan 1983 
 SEE * FULL *  EPISODE BELOW
This must have been comedy back in the 80's.... Now it's just news LOL.
😲
I miss the days when claims of this nature were so clearly absurd that they were fodder for comedy. 
Today the Colonel would have his own YouTube channel, hundreds of thousands of followers, and a clear path to a seat in Congress. 
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It's like they predicted social media 30 years ahead of time.
😲
The colonel sounds like a modern day Republican senator 🙄

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Looks like Qanon’s been around longer than we thought. 

📕 Being rescued from dinosaurs by aliens while running from the CIA in a world where Russians control the media.
😆 📺  😆 😂 📕 🤣📺  😆 😂 📗 😆 😂📺😆 😂 
📗
A line I will be using..."At the risk of sounding realistic" - That'll be part of every argument I ever have now!
 
📕"....we were graciously transported aloft to take this photograph by the extra terrestrials who live in the area" OMG that is brilliant writing,
📗
"Don't go away....  not that you would...."

😆 😂🤣 😆 😂
When he first said the title of the book, "Up The Amazon", I momentarily thought that maybe they were heading in a whole other direction.  I forgot that this was the 1970's, and then suddenly realized how much I have been soiled by the culture of the last 40 years.
😆 😂🤣 😆 😂
Guy Boyd who played "Col. Lloyd Mennenger" breaks up a little bit when he holds up that "unretouched" photo  3:03  
😆 😂🤣 😆 😂
Ahh yes, back when We were living on Earth.
😲
So THIS is how they got the idea for that horrendous Indiana Jones 4 movie
😆 😂🤣 😆 😂
https://youtu.be/g2H-9OmErYQ
😆😂📺😆😂📗😆😂🤣📺😆😂📗😆😂🤣📺😆😂📗

Bob Newhart - Interview Nightmare
In it's Complete Context!

📗 👇   📺   👇
📕
 👇   📺   👇
https://youtu.be/tlFS-Dlfgkc
😆😂📺😆😂📗😆😂🤣📺😆😂📕😆😂🤣📺😆😂 📕
 
"4 more minutes Dick"
 " Not from me pal"
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  ✍️ 📖📔📙📕📗📙✍️📘 📚 📒✍️
A Republican member of the U.S. House of Representatives inquired at a congressional hearing on Tuesday about what can only be considered a novel approach to reversing the effects of climate change.


Louie Gohmert Asks If Forest Service Would Be Able To Alter Earth's Orbit To Fight Climate Change

📖📔📙  📕  📗  📙📘📚 📒 📖📔📙  📕📗  📙📘📚📒

Friday, June 4, 2021

Self-Aware Fish 🐟 Raises Doubts 🐠About Cognitive Test

🐟 A ‘Self-Aware’ Fish 🐠
Raises Doubts About a Cognitive Test
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A report that a fish can pass the “mirror test” for self-awareness reignites debates about how to define and measure that elusive quality.
Quanta Magazine  Elizabeth Preston


Very few animals have ever passed the mirror test for self-recognition — even most primates fail it. The news that a fish seemed to recognize itself in one recent study has made psychologists and animal behaviorists wonder anew what (if anything) the mirror test proves.

A little blue-and-black fish swims up to a mirror. It maneuvers its body vertically to reflect its belly, along with a brown mark that researchers have placed on its throat. The fish then pivots and dives to strike its throat against the sandy bottom of its tank with a glancing blow. Then it returns to the mirror. Depending on which scientists you ask, this moment represents either a revolution or a red herring. 
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Alex Jordan, an evolutionary biologist at the Max Planck Institute for Ornithology in Germany, thinks this fish — a cleaner wrasse — has just passed a classic test of self-recognition. Scientists have long thought that being able to recognize oneself in a mirror reveals some sort of self-awareness, and perhaps an awareness of others’ perspectives, too. For almost 50 years, they have been using mirrors to test animals for that capacity. After letting an animal get familiar with a mirror, they put a mark someplace on the animal’s body that it can see only in its reflection. If the animal looks in the mirror and then touches or examines the mark on its body, it passes the test.

Humans don’t usually reach this milestone until we’re toddlers. Very few other species ever pass the test; those that do are mostly or entirely big-brained mammals such as chimpanzees. And yet as reported in a 2018 study that appeared on bioRxiv.org and that is due for publication in PLOS Biology, Jordan and his co-authors observed this seemingly self-aware behavior in a tiny fish.

Jordan’s findings have consequently inspired strong feelings in the field. “There are researchers who, it seems, do not want fish to be included in this secret club,” he said. “Because then that means that the [primates] are not so special anymore.”

If a fish passes the mirror test, Jordan said, “either you have to accept that the fish is self-aware, or you have to accept that maybe this test is not testing for that.” The correct explanation may be a little of both. Some animals’ mental skills may be more impressive than we imagined, while the mirror test may say less than we thought. Moving forward in our understanding of animal minds might mean shattering old ideas about the mirror test and designing new experiments that take into account each species’ unique perspective on the world.

Reflecting on Primates
The evolutionary psychologist Gordon Gallup thought up his field-defining experiment while shaving in a mirror one day as a graduate student. When Gallup took a position at Tulane University a little later, he had access to animals at the Delta Regional Primate Research Center he could test his idea on.

Gallup started by showing a mirror to four chimpanzees, each alone in a cage. At first the chimps reacted as if they were seeing a stranger. But after a few days, they stopped threatening and vocalizing at the reflections. They started using the mirrors to look at themselves: They cleaned food from their teeth, picked their noses and examined their genitals. To prove that the chimps understood what they were seeing, researchers anesthetized the animals and dabbed red dye onto their eyebrows and ears. Then they returned the chimps to the mirrors. Looking at their reflections, the animals touched their fingers to the paint on their faces.

What surprised Gallup more than the chimpanzees’ success at recognizing themselves was the failure of macaques he tested at the same time. When the paper came out in Science in 1970, “it was bigger than I thought it would be,” Gallup said. “People were quite taken with the finding.”

We were speaking in his cramped office on the campus of the State University of New York, Albany, where Gallup has worked since 1975. Every surface and drawer overflowed with stacks of paper. A phone teetered atop a paper heap that covered the entire desk. Here and there, obsolete technologies peeked through the clutter: a dusty vintage computer scattered with floppy disks, VHS tapes on a rolling TV cart, a slide projector. Gallup sat on a rolling desk chair that had worn a circular hole through the carpet to the industrial floor below.

He showed me black-and-white photos of chimps studying themselves in mirrors. What the mirror test shows, Gallup said, is self-awareness, which he defines as “the ability to become the object of your own attention.” And he believes this implies a certain rare intellect. Any animal that can recognize itself in a mirror, Gallup thinks, can potentially recognize that others have their own minds and even empathize with them. A sense of self means a sense of selves.

Around the same time as Gallup’s initial study, the psychologist Beulah Amsterdam, at the University of North Carolina, Chapel Hill, was working on a similar experiment with babies and toddlers, in which she dotted their noses with rouge. She found that most children recognize themselves in a mirror by age two. In the following years, Gallup and his colleagues tested a range of other animals with mirrors, from primates to chickens, and found more failures than successes. Most animals never moved beyond seeing the reflection as another animal.

But a few did — or seemed to. Diana Reiss, a marine mammal scientist and cognitive psychologist at Hunter College in New York City, has done extensive research on dolphins, including mirror tests both with Gallup and other co-authors. Though the study she worked on with Gallup wasn’t conclusive, she said, later studies showed that dolphins can pass the test. In their reflections, aquarium dolphins studied their eyes and mouths, did flips and blew different kinds of bubbles. After being drawn on with black marker, the dolphins spent more time looking at the marked sides of their bodies in the mirror.

Monkeys, for the most part, have continued to fail mirror tests. Some rhesus macaques passed after weeks of training with their heads restrained, forced to stare at the mirror. In another experiment, researchers tried marking marmosets with chocolate to increase their motivation, with no luck. (Some of the monkeys tried to lick the chocolate in the mirror.) But Reiss and her colleagues have found mirror self-recognition in Asian elephants. Orangutans, bonobos and gorillas have all passed the test, too, Reiss said — along with one bird, the magpie.

In Gallup’s view, though, only three species have definitively passed: chimpanzees, orangutans and humans. He finds the evidence for every other species uncompelling, and thinks researchers are reading things into animals’ behavior that aren’t there. Gallup has co-authored papers critiquing others’ methods and interpretations.

One researcher whose results Gallup challenged was the Harvard University biologist Marc Hauser, who charmingly marked monkeys called cotton-top tamarins by dyeing their fluffy white hair exotic colors. Hauser and his co-authors reported that the monkeys touched their heads while looking in the mirror. Yet an attempted replication of the study failed, and in 2011 Hauser left Harvard after an investigation found he had falsified data in other studies.

Still, Gallup claimed he keeps an open mind. “I’m more than happy to consider the possibility that any other species might be capable of recognizing itself in a mirror,” he said.

Enter Jordan’s fish.

Social Enough to Be Self-Aware

Jordan is interested in the mental skills that animals lose or gain as they evolve to live in social groups. He and his co-authors wanted to explore the cognitive limits of social fish — so they thought of the mirror test. First they tested cichlids, which didn’t pass. So the researchers pondered what fish to try next. “The answer came: Of course it should be the cleaner wrasse,” Jordan said. “It is an incredibly intelligent animal, and highly social.”

Cleaner wrasse live on coral reefs and specialize in nibbling parasites and dead skin off the bodies of larger fish that could easily make a meal of them. It’s a dangerous life, and the wrasse have to be savvy to avoid being eaten themselves. In the lab and in the wild, Jordan said, the fish are inquisitive about their environments and attentive to humans, attempting to clean a person’s hands or face masks as they would a client.

In front of a mirror, cleaner wrasse seemed to pass through the same stages as chimpanzees. First they attacked their reflections. Then they performed unusual behaviors in front of the mirrors, like swimming upside down. After several days, the fish were spending extra time near the mirrors, as if studying their reflections.

Next, the researchers marked the fish that seemed to be catching on. They injected a bit of brown material (or clear, for a control) under the skin of each fish’s throat. Afterward, some of the fish seemed to study the marks in front of the mirror. Then they scraped their throats against rocks or the sandy bottom of their tanks — a common fish behavior for removing irritants, Jordan said. The fish often followed this maneuver by swimming back up to the mirror. Three out of the four fish that made it this far in the study passed the mirror test, the authors concluded.

The researchers spent more than three years trying to get the paper published. Peer review is a largely cloaked process in which experts in a field respond anonymously to papers that have been submitted to journals. But Gallup signed his reviews of the cleaner wrasse paper, which were “violently anti,” Jordan said.

In Albany, Gallup chuckled at the suggestion that the fish had recognized themselves. To him, the demonstrated behavior was too ambiguous. He wrote in one of his reviews that when a wrasse scraped its throat, maybe it was pantomiming an instruction for what the mirrored fish should do — as in “You’ve got some mustard on your chin,” said Jordan, who called this alternate explanation “incredibly far-fetched.”

Reiss also reviewed the paper several times for different publications, she said. She wasn’t convinced that behaviors like swimming upside down showed that fish were testing how the mirror worked. She and Gallup also found it problematic that the brown mark resembled a parasite — to which wrasses instinctively react — unlike the unnatural marks on other animals. “I think for a claim like this, the evidence has to be much stronger,” Reiss said.

In response to the reviewers’ objections, Jordan and his co-authors added more control experiments to their study. Now that the paper has finally been accepted for publication, Jordan thinks the grueling revision period made the study stronger. “And, you know, I didn’t die in the process,” he joked.

Alexandra Horowitz, a psychologist at Barnard College in New York City who studies dog cognition, called the wrasse study “amazing.” She added, “I think it … challenges our presumptive notions about what fish can or cannot experience.”

Jordan wants the world to know how smart fish can be. But, he said, “I am the last to say that fish are as smart as chimpanzees. Or that the cleaner wrasse is equivalent to an 18-month-old baby. It’s not.” Rather, he thinks the main point of his paper has more to do with science than fish: “The mirror test is probably not testing for self-awareness,” he said. The question then is what it is doing, and whether we can do better.

What Is Self-Awareness?

Sometimes it’s easy to tell that an animal really doesn’t understand mirrors. The writer Mary Laura Philpott has frequently been awakened in the wee hours of the morning by a loud knocking on her door in Nashville, Tennessee. When she opens the door, she finds only a small turtle. She nicknamed the prankster reptile Frank. Eventually she came to suspect that Frank might be challenging or attacking the strange turtle he sees in the reflective part of her door — night after night after night.

But just because one individual animal fails a mirror test doesn’t mean every member of its species would do the same. It’s a more meaningful positive test than a negative one. And even when animals do recognize themselves in mirrors, researchers are divided about what that implies.

“Recognition of one’s own reflection would seem to require a rather advanced form of intellect,” Gallup wrote in 1970. “These data would seem to qualify as the first experimental demonstration of a self-concept in a subhuman form.”

Either a species shows self-awareness or it doesn’t, as Gallup describes it — and most don’t. “And that’s prompted a lot of people to spend a lot of time trying to devise ways to salvage the intellectual integrity of their favorite laboratory animals,” he told me.

But Reiss and other researchers think self-awareness is more likely to exist on a continuum. In a 2005 study, the Emory University primatologist Frans de Waal and his co-authors showed that capuchin monkeys make more eye contact with a mirror than they do with a strange monkey behind Plexiglas. This could be a kind of intermediate result between self-awareness and its lack: A capuchin doesn’t seem to understand the reflection is itself, but it also doesn’t treat the reflection as a stranger.

Scientists also have mixed feelings about the phrase “self-awareness,” for which they don’t agree on a definition. Reiss thinks the mirror test shows “one aspect of self-awareness,” as opposed to the whole cognitive package a human has. The biologists Marc Bekoff of the University of Colorado, Boulder, and Paul Sherman of Cornell University have suggested a spectrum of “self-cognizance” that ranges from brainless reflexes to a humanlike understanding of the self.

Jordan likes the idea of a spectrum, and thinks cleaner wrasse would fall at the lower end of self-cognizance. He points out that moving your tail before it gets stepped on, or scraping a parasite off your scales, isn’t the same as sitting and pondering your place in the universe. Others in the field have supported his contention that the mirror test doesn’t test for self-awareness, he said. “I think the community wants a revision and a reevaluation of how we understand what animals know,” Jordan said.

One thing on which most scientists in the field do agree is that there’s a link between recognizing yourself in a mirror and being social. The species that perform well on mirror tests all live in groups. In an intriguing 1971 study by Gallup and others, chimpanzees born in captivity and raised in isolation failed the mirror test. The chimps that passed the test had been born in the wild, in social groups. Gallup thought this finding supported the ideas of the philosopher George Herbert Mead of the University of Chicago, who said our sense of self is shaped by our interactions with others. “[T]here could not be an experience of a self simply by itself,” Mead wrote in 1934.

Gallup sees a clear connection between recognizing yourself in a mirror, understanding something about others’ states of mind, and even empathizing. “Once you can become the object of your own attention, and you can begin to think about yourself, you can use your experience to infer comparable experiences in others,” Gallup said. No species evolved looking in mirrors, but some of us can see ourselves reflected in our companions. 

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The Mirror as a Window

The sociality of Asian elephants helped researchers to design a better mirror test in 2006. Joshua Plotnik, a comparative psychologist now at Hunter College in New York City, worked on the study with de Waal and Reiss. In an earlier test that elephants failed, the animals had been in an enclosure, looking at a small mirror. For the revised test, the researchers used an eight-foot-by-eight-foot mirror, so the elephants could see their whole bodies at once. They also let the elephants approach the mirror so that they could stand on their back legs to look behind it or kneel to peer beneath it.

They also tested elephants in pairs, which “gave them an opportunity to use their partner as a frame of reference,” Plotnik said. When an elephant saw a friend standing in the mirror next to a stranger, she might be able to deduce that the strange elephant was herself.

This time, one of three elephants passed the test. Plotnik said the researchers have promising results from other elephants that haven’t been published yet.

“You have to really try to take the perspective of the animal that you’re working with,” Plotnik said. For example, elephants like being dirty and might not care about marks on their bodies, unlike grooming animals such as chimpanzees. Gorillas groom, but they hate making direct eye contact with others. This might help explain why they haven’t had the same success in the mirror test as chimps or orangutans.

Plotnik thinks future experiments should take an animal’s particular motivations and perceptions into account. For example, the mirror test is visual, but elephants are more interested in what they smell and hear. “Is it fair if you test an animal that’s not a primarily visual animal and they fail?” Plotnik said. “You could make that argument for dogs.”

Dogs are lousy at recognizing themselves in mirrors. But Horowitz recently designed an “olfactory mirror test” for dogs. She found that dogs spent longer sniffing samples of their own urine when it had an extra scent “mark” added to it.

“It’s challenging for us as visual creatures to imagine ourselves into the sensory worlds of nonvisual animals,” Horowitz said. But we have to do it, she thinks, if we want to understand how their minds work.

Reiss, who calls Horowitz a friend, doesn’t think the olfactory mirror study proves dogs can recognize themselves. But she thinks the experiment is an interesting jumping-off point. “How else can we [design] tests to get glimpses into what animals know about themselves?” she said.

As empathetic as Homo sapiens is, we struggle to place ourselves in the viewpoints of other species. Yet this kind of understanding could help us not just to grasp our own place in the world but to protect the world. For example, Plotnik said, a lack of habitat for Asian elephants is driving conflict between the endangered species and humans. “I think a lot of what’s missing from the debate around how to solve this conflict is the elephant’s perspective,” he said. The kind of insight we get from putting pachyderms in front of mirrors might be a helpful window into their minds.

Several mirrors decorate the walls of Gallup’s office, partially hidden behind the towers of papers. It’s just a coincidence, he told me — the mirrors were there when he moved in. He got up from his chair to show me another coincidence born of pareidolia, our mind’s inclination to look for faces. In the black wood grain of his office door, a student had once pointed out the barely discernible face of a gorilla. Gordon traced it for me: an eye, another eye, two nostrils. He directed me to stand in front of the door and move back and forth until I saw it.

Suddenly the light caught the grain in just the right way and the gorilla’s giant face emerged. It stared back at me directly, as a real gorilla never would, like a glimpse straight into the unknowable mind of an animal. “I do see it!” I said. Gallup laughed delightedly. “Isn’t it amazing?” he asked. Then it was gone. 

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Elizabeth Preston is a freelance science writer whose work has appeared in the Atlantic, the Boston Globe, Slate, Wired, National Geographic and many other publications.

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