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Friday, April 17, 2026

Allergy Season 🌹 Explained 👨‍⚕️TED-Ed

🌹 Allergy  Season  Explained 👨‍⚕️
VIDEO 🎬 BELOW
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What better way to celebrate than to **ACHOO!!**
….wait, what were we saying?
Step outside, and within minutes, you’re sneezing and congested. Your nose is running, your eyes are swollen and watery, your throat is itchy. For you and millions of others, it’s seasonal allergy time. 
So what’s behind this onslaught of mucus?
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The answer lies within you. It’s your immune system. Seasonal allergies, also called hay fever, or allergic rhinitis, are a hypersensitive immune response to something that’s not actually harmful. 
Pollen from trees and grass, and mold spores from tiny fungi find their way into your mucous membranes and your body attacks these innocuous travelers the same way it would infectious bacteria.
The immune system has a memory. When a foreign substance gets tagged as threatening, white blood cells produce customized antibodies that will recognize the offender the next time around. They then promptly recruit the body’s defense team. 
But sometimes, the immune system accidentally discriminates against harmless substances, like pollen. When it wafts in again, antibodies on the surface of white blood cells recognize it and latch on.

This triggers the cell to release inflammatory chemicals, like histamine, which stimulate nerve cells, and cause blood vessels in the mucous membranes to swell and leak fluid. 
In other words, itchiness, sneezing, congestion, and a runny nose.
Allergies usually, but not always, show up for the first time during childhood. But why do some people get allergies and others don’t? Allergies tend to run in families, so genetics may be one culprit. In fact, errors in a gene that helps regulate the immune system are associated with higher rates of allergies. The environment you grow up in matters, too. Being exposed to an allergen as a baby makes you less likely to actually develop an allergy to it. People who grow up on farms, in big families, and in the developing world also tend to have fewer allergies, although there are plenty of exceptions, partly thanks to genetics. 
One theory is that as children, they encounter more of the microbes and parasites that co-evolved with traditional hunter-gatherer societies.
Called the hygiene hypothesis, the idea is that when the immune system isn’t exposed to the familiar cast of microbes, it’ll keep itself busy mounting defenses against harmless substances, like pollen. Another theory is that an immune system toughened up by a barrage of pathogens is less likely to overreact to allergens. Pollen is a common offender, just because we encounter so much of it, but there’s a long list of substances: dust, animal dander, insect venom, medications, certain foods, that can send your immune system into overdrive. Some of these reactions can be scary. 
An allergy can develop into full-blown anaphylaxis, which typically brings on severe swelling, shortness of breath, and very low blood pressure. It can be deadly.
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But as we who suffer from seasonal allergies know, even non-life threatening allergy symptoms can make you miserable. So what can you do about it? Medications can help reduce the symptoms. The most common ones keep histamines from binding to your cells. These antihistamines stop the inflammation response. Steroids can help dial down the immune system. Another more permanent option is immunotherapy. 
Deliberate, controlled exposure to gradually increasing amounts of an allergen can teach the immune system that it isn’t dangerous after all.
Of course, you can always just wait your seasonal allergies out. 
The spring pollen onslaught dwindles by mid-summer… just in time for ragweed season!
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Why do People Have
Seasonal Allergies?
Eleanor Nelsen
Ah, spring. Grass growing, flowers blooming, trees budding. For those with allergies, though, this explosion of new life probably inspires more dread than joy. So what’s behind this annual onslaught of mucus? 
Eleanor Nelsen explains what happens when your immune system goes rogue. 
👇    📺    👇
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Happy Spring!
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From the TED-Ed Lesson Why do people have seasonal allergies? - Eleanor Nelsen 
Animation by TED-Ed
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*
               

Sunday, April 12, 2026

Animal 🐆 Pairs 🐅Often Confused

🐆🐅Animals People Often Mix-Up🐪🐫
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Many commonly confused animals look similar due to convergent evolution, where unrelated species adapt to similar environments. Frequent mix-ups include seals vs. sea lions, llamas vs. alpacas, and alligators vs. crocodiles. Telling them apart usually requires checking for small details like ear flaps, nose shape, or posture.
Animals People Often Mix-Up
Part 1  
In this video, we're looking at 10 pairs of groups of animals that people often get confused by:  
                        👇  🖥️         See Part 2 Below
In this video:
1. Alligator/Crocodile
2. Moths/Butterflies
3. Porpoise/Dolphin/Whale
4. Raven/Crow
5. Python/Boa
6. Toucan/Hornbill
7. Hummingbird/Sunbird
8. Jaguar/Leopard
9. Stingray/Other Rays
10. Frog/Toad
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Many people struggle to tell certain animal species apart due to similar body shapes, habitats, or colors. Common mix-ups often involve alligators vs. crocodiles, seals vs. sea lions, and llamas vs. alpacas.
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Animals People Often Mix-Up
(Part 2)
👇  🖥️  👇
In this video:
1. Seal/Sea Lion
2. Beetle/True Bug
3. Crane/Heron/Stork
4. Chimpanzee/Bonobo
5. Antelope/Deer
6. Manatee/Dugong
7. Opossum/Possum
8. Newt/Salamander
9. Pigeon/Dove
10. Lynx/Bobcat
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It's a big world out there, and with such an abundance of life, it's no surprise that things can get perplexing, especially when it comes to animals. Sometimes similar creatures from the same order get categorized differently because of habitat or behavior. Other times animals from completely different species evolve in similar ways. Whatever the reasons, at times it's hard to know the difference between them. Here are our favorite pairs of confusing creatures and how to tell the difference.
#Never Stop Learning from Ma MusiQ
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Friday, April 10, 2026

Culturez-Vous 😉 Art 🎨

🎨  Culturez - Vous  ☺️
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   + Bongo at the End 😎
😉 Voici shot de bonne humeur avec cette nouvelle vidéo où les tableaux prennent vie.  
👇 🎼 👇
Avez-vous reconnu certaines de ces œuvres ?🎨 
👉 Voici:
1. Quentin Metsys 🎨 Le prêteur et sa femme Abba - Money money money
2. Raphael 🎨 Autoportrait avec un ami The Lion King - Elton John - Hakuna Matata
3. Leonard de Vinci 🎨 Portrait de Ginevra de’ Benci Bobby McFerrin - Don’t worry be happy
4. Auguste Renoir 🎨 Bal du moulin de la Galette Caterina Valente - Bongo cha cha cha 👈
5. Amedeo Modigliani 🎨 Portrait de Jean Cocteau Maneskin - Beggin
6. Edgar Degas 🎨 Danseuse avec un bouquet de fleurs Tones and I -Dance Monkey
7. Élisabeth Vigée Le Brun 🎨 Autoportrait Eurtyhmics - Sweet dreams
8. Hyacinthe Rigaud 🎨 Autoportrait Daft Punk - Get Lucky
9. Joseph Ducreux 🎨 Autoportrait en moqueur Queen - Show must go on

Bonne Journées à tous!
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🕺💃 Ça swingue 🕺💃
Au château de Versailles !  
Vous avez été très nombreux à réagir à mes précédentes vidéos de tableaux qui chantent alors, avec la complicité du ‪@chateauversailles‬ , j’ai eu envie de donner vie à quelques-uns des personnages qui ont vécu dans le château !
👉 Les reconnaissez-vous ?!
🕺   👇 🎼 👇  💃 
       Liste des Musiques :           Liste des Portraits :
• C+C Music Factory / Everybody dance now • Louis XIV / Hyacinthe Rigaud
• Aqua   /   Barbie girl • Marie-Antoinette / Elisabeth Vigée Le Brun
• Scorpions   /   Wind of change • Louis XVI / Antoine-François Wallet
• Sia   /   Chandelier • Eugénie de Montijo / Edouard-Louis Dubufe
• The Kid Laroi feat Justin Bieber / Stay • Napoléon / Jacques-François-Faust Lefèvre
• Rihanna   /    Diamonds • Marie-Louise d’Autriche / François Gérard
• Stromae   /   Alors on danse • Napoleon III / Winterhalter
• Bananarama   /   Venus • Madame du Barry / François-Hubert Drouais
• John Paul Young / Love is in the air • Louis Philippe / Winterhalter
• Roxette   /   Listen to your heart • Madame de Pompadour / Maurice Quentin de La Tour
• Schubert   /    Ave Maria • Madame de Maintenon / Pierre Mignard
https://youtu.be/Gq-Nxgit3vk?si=FJDhG9uDYEeyHqt9
https://youtu.be/5jS5ie7IQq0
Culturez-vous est un média indépendant français fondé en 2012 par Antoine Vitek, dédié à la diffusion de la culture, des arts et du patrimoine.
Plateforme plurimédia, elle propose des contenus variés pour explorer le monde culturel :
  • Un blog de référence : Le site culturezvous.com regroupe des critiques d'expositions, des guides de visite (musées, châteaux, monuments) et des anecdotes historiques.
  • Des guides de voyage : Une section entière est consacrée aux voyages culturels, proposant des itinéraires détaillés et des bonnes adresses en France et en Europe.
  • Une forte présence sociale : Antoine Vitek partage quotidiennement ses découvertes via des formats courts et visuels sur Instagram et YouTube, rendant l'art accessible à une large communauté.
  • Des outils interactifs : Le site s'est récemment enrichi d'une carte interactive répertoriant plus de 100 guides de voyage et de quiz culturels pour apprendre en s'amusant. 
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L’ambiance attendue dans les musées
quand ils vont rouvrir ! 🥳 
👇 🖥️ 👇

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Bongo Cha Cha Cha 🎼 Goodboys
Caleb Marshall 💃 Dance Workout
An easy to follow cardio dance fitness routine to The Goodboys viral Tik Tok song, bongo cha cha cha!
👇 🖥️ 👇
https://youtu.be/EUedwbD8GiE?si=NmoDL_0A9TnPyD49 
 
 Bongo Cha Cha Cha
Caterina Valente 
 
👇    🎼    👇 
* This song is 62 years old but my 8-year-old son plays it every day.
*  "Spider-Man Far From Home"  gang, anyone? 🙃  
*  I just watched "Spider-Man Far From Home" and now this song is repeating in my head over and over again
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Thursday, April 9, 2026

Sr Plautilla Nelli 🙏 Artist 🎨 The Last Supper

Sr Plautilla Nelli
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Pulisena Margherita Nelli 
Portrait of  Suor Plautilla Nelli
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Born    1524   Florence
Died    1588 (aged 63–64)  Florence

Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first known female Renaissance painter of Florence. She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.

Life
Pulisena Margherita Nelli was born into a wealthy family in the San Felice area of Florence. Her father, Piero di Luca Nelli, was a successful fabric merchant and her ancestors originated from the Tuscan valley area of Mugello, as did the Medici dynasty. There is a modern-day street in Florence, Via del Canto de' Nelli, in the San Lorenzo district, named for her family, and the New Sacristy of the Church of San Lorenzo is the original site of her family homes.
She became a nun at the age of fourteen, taking on the name Suor Plautilla, at the convent of Santa Caterina di Cafaggio; she would later be prioress on three occasions. The facility was managed by the Dominican friars of San Marco, led by Savonarola. About half of all educated girls in that era were placed into convents to avoid the cost of raising a dowry. Savonarola's preachings promoted devotional painting and drawing by religious women to avoid sloth, thus the convent became a center for nun-artists. Her sister, also a nun, Costanza, (Suor Petronilla) wrote a life of Savonarola.
Nelli had the favor of many patrons (including women), executing large pieces and miniatures. Sixteenth-century art historian Giorgio Vasari wrote, "and in the houses of gentlemen throughout Florence, there are so many pictures, that it would be tedious to attempt to speak of them all." Fra' Serafino Razzi, a sixteenth-century Dominican Friar, historian and Savonaroliano (disciple of Savonarola), named three nuns of Santa Caterina as disciples of Plautilla, Suor Prudenza Cambi, Suor Agata Trabalesi, Suor Maria Ruggieri, and three others as additional producers: Suor Veronica, Suor Dionisia Niccolini, and his sister Suor Maria Angelica Razzi.
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The Last Supper, a 7x2-meter oil-on-canvas, preserved in the Basilica of Santa Maria Novella
is the only signed work by Plautilla Nelli known to survive.

Art and style
Though she was self-taught, she copied works of the mannerist painter Agnolo Bronzino and high Renaissance painter Andrea del Sarto. Her primary source of inspiration came from copying works of Fra Bartolomeo, which mirrored the classicism-style enforced by Savonarola's artistic theories. Fra Bartolomeo left his drawings to his pupil, Fra Paolino who, in turn left them in the possession of "a nun who paints" in the convent of Santa Caterina da Siena.  Nelli signed her paintings as "Pray for the Paintress" after her name, confirming her role in spite of her gender.
Her work is distinguished from that of her influencers by the heightened sentiment she added to each of her characters' expressions.  Author Jane Fortune referred to her Lamentation with Saints and the "raw emotional grief surrounding Christ's death as depicted through the red eyes and visible tears of its female figures" as a case in point. Nelli's Lamentation, which is now in the Museum of San Marco, Florence, has also spurred the writings of The Painter-Prioress of Renaissance Florence, written by Jonathan K. Nelson. Most of Nelli's works are large-scale, which was most uncommon for a woman to paint, in her era.
She is one of the few female artists mentioned in Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects. Her work is characterized by religious themes, with vivid portrayals of emotion on her characters' faces. Nelli lacked any formal training and her male figures are said to have “feminine characteristics”, as her religious vocation prohibited study of the nude male.
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Works created, rediscovered, and restored.
Nelli produced mainly devotional pieces including large-scale paintings, wood lunettes, book illustrations, and drawings. Her paintings include Lamentation with Saints (in the large refectory, San Marco Museum, restored 2006), Saint Catherine Receives the Stigmata and Saint Dominic Receives the Rosary, in the Andrea del Sarto Last Supper Museum of San Salvi, both restored in 2008. Nelli's Grieving Madonna, also at San Salvi, is a copy of the same subject by Alessandro Allori.  Her Crucifixion is exhibited in the Certosa di Galluzzo Monastery, near Florence. The Last Supper, in the refectory of Santa Maria Novella is the only work Nelli signed.  Her nine drawings in the Uffizi's Department of Prints and Drawings were restored in 2007 and include several representations of the human figure such as Bust of a Young Woman, Head of a Youth, Kneeling Male Figure. The Pentecost, in Perugia's Basilica of San Domenico, is another of her most significant works, as well as her Annunciation and St. Catherine of Siena both preserved at the Uffizi.
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Painted in the 1560s, Nelli's Last Supper is a first rendered by a woman
Florence has the richest tradition of paintings with the theme of the Last Supper in the world. Her most significant work because of its size and subject, it is a seven-meter long oil on canvas. Last Supper was under restoration for four years. The work then went on exhibit in October 2019 at the Santa Maria Novella Museum in Florence, across from Alessandro Allori's painting with the same theme, also painted in the sixteenth century.
Nelli's work represents a daring creative endeavor for a nun-artist of her period, as most were relegated to producing miniatures, textiles, or small sculptures in painted terra cotta or wood. By creating and signing this enormous fresco-like work depicting one of Florence's most beloved spiritual subjects, Nelli successfully placed herself among the ranks of her male counterparts, such as Leonardo da Vinci, Andrea del Sarto and Domenico Ghirlandaio, an accomplishment lost to history for many centuries. Due to the recent restoration of the Lamentation, there has been more investigation into Nelli's life and art.
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Documentary
The Restoration of Lamentation with Saints: Plautilla Nelli is a thirty-six-minute documentary on the life of Nelli and on the process of restoring of one of her most significant large-scale paintings. The documentary, produced in 2007 by Art Media Studio, Florence, was developed and funded by The Advancing Women Artists Foundation's founder Jane Fortune and The Florence Committee of the National Museum of Women in the Arts.
The documentary explores the preparatory drawings beneath the painting's pictorial surface using the process of reflectography. It shows various steps of the restoration project safeguarding the painting against woodworms, found in the painting's wood panel and exterminated, and centuries of encrusted dust and dirt. The documentary's main protagonists include museum executives and art conservation experts such as the San Marco Museum director Dr. Magnolia Scudieri and Florentine restorer Rossella Lari. The restored painting was completed in October 2006, and unveiled at Florence's San Marco Museum where it is exhibited in the large refectory. In her closing comment, Scudieri states, "Not only can we more clearly see the painting's expressive intensity thanks to this restoration, we can also more fully understand the convent life of Plautilla Nelli and her time in Florence.
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PBS television documentary
The Emmy-winning PBS television documentary (June, 2013) Invisible Women, Forgotten Artists of Florence, based on Dr. Jane Fortune's book by the same title, features a segment on Suor Plautilla Nelli and the restoration of the Lamentation with Saints. The television special, which spotlights the thousands of works by women in storage in Florence's museums, hails the little-known nun-painter as "the first woman artist of Florence."
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 Plautilla Nelli | Renaissance Rush
The Italian Renaissance Podcast
Plautilla Nelli rose to prominence in the 16th century as a self-made female artist. As a nun, she learned manuscript miniature painting, but took it upon herself to learn how to paint on a monumental scale, an occupation typically reserved for men in the Renaissance period. Her 1560 masterpiece, Last Supper, shows Nelli's keen awareness of the history of painting, especially of the Florentine tradition, as well as an acute skill in expressing color and emotion. 
👇  🖥️  👇
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For 450 years, a huge 21-foot painting of the Last Supper was hidden away, because many couldn't believe a nun had created such a Renaissance masterpiece.
That artist was Sister Plautilla Nelli, a self-taught painter living in Florence, Italy in the 1500s AD. She was one of the very first women painters of the Renaissance to gain fame for her work.
She ran a successful, all-female art workshop right from inside her convent. Her talent was so respected that the famous art historian Giorgio Vasari praised her in his 1568 book, mentioning how her works amazed professional artists.
As a cloistered nun, she faced challenges her male counterparts did not. She was not permitted to study anatomy from life, which was essential for painters at the time.
But Sister Plautilla found clever and resourceful ways to learn. She studied other artists' works and used clay models and carefully draped cloth to master her craft, a testament to her dedication. 🎨
Over the centuries, however, her name faded from history. Her remarkable paintings were stored away in convents or sometimes even misattributed to male artists.
It wasn't until a major restoration effort, completed in 2019, that her breathtaking 'Last Supper' was finally put on public display for the whole world to see. 🙏
Her story is a powerful reminder of the incredible faith and talent that can be overlooked by history, waiting patiently to be rediscovered.
 #SisterPlautilla #HiddenGems #RenaissanceArt 

The History Page
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What's remarkable about Sister Plautilla Nelli is that she wasn't just working alone. She established and ran a thriving workshop right there in the Santa Caterina da Siena convent.
This was an enterprise entirely of, for, and by women. She trained other nuns to become skilled artists in their own right, passing on her knowledge and creating a community of creators.
Her workshop became a significant source of income for the convent, as they received commissions for devotional paintings from people all across Florence.
She wasn't just a painter; she was a leader, a teacher, and a successful businesswoman, all guided by her deep faith and devotion.

From Wikipedia, the free encyclopedia
Plautilla Nelli
Born    1524  Florence, Republic of Florence
Died    1588 (aged 63–64)  Florence, Grand Duchy of Tuscany

Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first ever known female Renaissance painter of Florence.[1] She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.[1]
Life
Pulisena Margherita Nelli was born into a wealthy family in the San Felice area of Florence. Her father, Piero di Luca Nelli, was a successful fabric merchant and her ancestors originated from the Tuscan valley area of Mugello, as did the Medici dynasty.[1] There is a modern-day street in Florence, Via del Canto de' Nelli, in the San Lorenzo district, named for her family, and the New Sacristy of the Church of San Lorenzo is the original site of her family homes.[1]
She became a nun at the age of fourteen, taking on the name Suor Plautilla, at the convent of Santa Caterina di Cafaggio; she would later be prioress on three occasions. The facility was managed by the Dominican friars of San Marco, led by Savonarola. About half of all educated girls in that era were placed into convents to avoid the cost of raising a dowry.[2] Savonarola's preachings promoted devotional painting and drawing by religious women to avoid sloth, thus the convent became a center for nun-artists.[1] Her sister, also a nun, Costanza, (Suor Petronilla) wrote a life of Savonarola.
Nelli had the favor of many patrons (including women), executing large pieces and miniatures. Sixteenth-century art historian Giorgio Vasari wrote, "and in the houses of gentlemen throughout Florence, there are so many pictures, that it would be tedious to attempt to speak of them all."[3] Fra' Serafino Razzi, a sixteenth-century Dominican Friar, historian and Savonaroliano (disciple of Savonarola), named three nuns of Santa Caterina as disciples of Plautilla, Suor Prudenza Cambi, Suor Agata Trabalesi, Suor Maria Ruggieri, and three others as additional producers: Suor Veronica, Suor Dionisia Niccolini, and his sister Suor Maria Angelica Razzi. 

https://en.wikipedia.org/wiki/Plautilla_Nelli