October 🍂 Farewell 👻

Halloween 🎃Music 🎼

Halloween 🎃 Music 🎼

👇   📺   👇 Click Below  to 👀 Choose a Video  👇

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#	Halloween 🎃 Music 🎼	Video
1	Michael Jackson Thriller Animation	6:44
2	Monster Mash - Singing Pumpkins Animation	3:31
3	I Put A Spell On You * By Bette Midler-SJ Parker -K.Najimy	2:27
4	Happy Halloween Bohemian Rhapsody	4:46
5	This is Halloween - Singing Pumpkins Effect Animation	3:32
6	Spooky Scary Skeletons - Original Video [4K HD]	2:39
7	Halloween 2014 Light Show -Bohemian Rhapsody  Naperville IL	5:58
8	Bohemian Rhapsody - Frank Skinnotra and the Gabbing Gourds	4:46
9	Bohemian Rhapsody - Singing Pumpkins Effect Animation	6:12
10	Bohemian Rhapsody - Halloween Video Version 🎃👻	5:57
11	This Is Halloween - Singing Pumpkins Halloween light show 2012	3:34
12	Halloween Light Show 2014, Michael Jackson, Thriller Naperville IL	5:54
13	Full Halloween Fire and Light Show - 4K 2023	15:38
14	The Skeleton Shake! 💀🎩 Halloween Dance	3:37
15	Classical Music for Halloween	2:33:31
16	The Alexander's Halloween Video Loop 2018	19:05
17	Classical Music for Halloween	2:03:16
18	Hocus Pocus 2 * One Way Or Another *  Uncut Scene	7:00
19	Cozy Autumn Village Halloween 🎃 Fall 🎃 Feel Peaceful	Live
20	Spooky Jazz Cozy Autumn Cafe Halloween Ambience Relax, Sleep	Live
21	Bohemian Catsody - Parody Song for Every Cat Queen and King!	5:31

The Origins & True Meaning

 of Halloween
TheStoryChannel.co.uk
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https://youtu.be/f8SY6Wb70bU?si=V_6B6yyjMij09-FU
Remember to Scroll DOWN to the BOTTOM of Page  👀

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The History of Halloween
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ttps://youtu.be/UyOqOa440l4?si=dR6fO3gC0LBIyYkp
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Black Cats🐈‍Eye in the Dark 👀

🐱 Black Cats 🐈👀

Norman Reedus

American Actor

Eye in the Dark

 

In 2010, Reedus began playing Daryl Dixon

In the AMC television series The Walking Dead

Danse Macabre 🎼Saint-Saëns👻

Saint-Saëns

Danse Macabre

💀 👻🕸 🦇 👻 💀 👻 🕸 👻 🦇

Halloween 13 Songs🧛1920's🎃1930's👻

13 Halloween Songs

From the 1920's & 1930's

Full Song Playlist

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00:07  Hush Hush Hush (Henry Hall)  1932

02:55  Heebie Jeebies (Boswell Sisters)   1931

05:30  The Haunted House (New Mayfair Dance Orchestra)   1931

09:09  Dancing The Devil Away (Arden & Ohman Orch)   1930

12:12   Mysterious Mose (Rube Bloom & His Bayoo Boys)   1930

15:30  Minnie The Moocher (Cab Calloway)   1931

18:41   Spell of the Blues (Frederick Vettel)  1929

21:39   Ghost of a Chance (Ted Fio Rito)   1933

24:57  Them's Graveyard Words (Bessie Smith) 1927

27:33  The Nightmare (Cab Calloway)   1931

30:14  Ghost of a Chance (Ted Fio Rito)  1933

33:08  Got The Jitters (Don Redman & Orchestra)  1933

36:02  Midnight The Stars and You (Al Bowlly with Ray Noble's Orchestra)1934(played at the end of The Shining 1980

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🎃🦇🍁💀🧙🍂🎃🍁
https://youtu.be/U6Mpipp-KgQ

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Halloween 🎃Pumpkin Art 🎃 MoMA

Four Years of MoMA

Halloween Pumpkins

Posted by Jason Persse, Editorial Manager, Marketing and Communications

For the fourth year running, MoMA visitors who pass through the Museum’s film entrance during the days leading up to Halloween are treated to an iconic modern-art masterpiece - in seasonally appropriate pumpkin form.
In celebration of the Henri Matisse: The Cut-Outs exhibition, the knife-wielding crazies at Maniac Pumpkin Carvers have “cut out” a beautiful interpretation of Matisse’s Blue Nude.

Henri Matisse’s Blue Nude 

MoMA film lobby

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Edvard Munch’s The Scream 

 (from October 2012) 

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From the swirling heavens of

Van Gogh’s Starry Night

 (from October 2011)

To the conceptual tomfoolery of  

René Magritte

Maniac Pumpkin Carvers’ homage to 

René Magritte’s La Trahison des images

Ceci n’est pas une pipe

(The Treachery of Images -This Is Not a Pipe) 

from October 2013

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These art o’ lanterns are an autumn favorite

among staff and visitors alike.

From The Museum of Modern Art

Have a very Happy Halloween!

  Tags: Edvard Munch, halloween, Henri Matisse, René Magritte, Vincent van Gogh

 

The Scream

Pumpkin Carving for MoMA HD

Maniac Pumpkin Carvers created this pumpkin for the Museum of Modern Art, based on Munch's famous painting The Scream. The pumpkin coincided with the opening of the exhibit, marking the paintings arrival in the US.

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https://www.moma.org/explore/inside_out/2014/10/31/four-years-of-moma-halloween-pumpkins

👻 🎃 🕸 👻  🦇 ✨ 🕷️ 👻

 

Halloween👻 Funny 😅 Gags

👻 Halloween Special 👻

Just For Laughs Gags

Halloween Season has just passed

Here are some clips Just For laughs filmed over the season!

 

👻 😨 👻 😱 👻 😅 👻 🙀👻

Best of Halloween Pranks  

😅Just For Laughs Compilation

Start your Halloween festivities with a bang, and watch along with us as we take a look back at some of our scariest pranks!

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 Top 10 Pranks of 2020 😱 

Best of Just For Laughs Gags
👇 📺 👇
Best Halloween Prank Compilation
👇 📺 👇
👻 😨 👻 😱 👻 😅 👻 🙀

🙀

Music🎺Trumpet

Trumpet  🎺  Music

👇  🎼🎺  👇                            50 + Videos

The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B♭ or C trumpet.

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Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 2000 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through slightly separated lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.

There are many distinct types of trumpet, with the most common being pitched in B♭ (a transposing instrument), having a tubing length of about 1.48 m (4 ft 10 in). Early trumpets did not provide means to change the length of tubing, whereas modern instruments generally have three (or sometimes four) valves in order to change their pitch. Most trumpets have valves of the piston type, while some have the rotary type. The use of rotary-valved trumpets is more common in orchestral settings (especially in German and German-style orchestras), although this practice varies by country. A musician who plays the trumpet is called a trumpet player or trumpeter.

 

Short sheet-metal trumpet from the Bactria, dated from 2100 B.C.- 1900 B.C. 

This particular example is missing its mouthpiece. Labeled Oxus type bulb trumpets, these trumpets were designed to produce a soft, very high pitch with "modest" tension in the player's lips

Etymology
The English word trumpet was first used in the late 14th century.  The word came from Old French trompette, which is a diminutive of trompe.  The word trump, meaning trumpet, was first used in English in 1300. The word comes from Old French trompe 'long, tube-like musical wind instrument' (12c.), cognate with Provençal tromba, Italian tromba, all probably from a Germanic source (compare Old High German trumpa, Old Norse trumba 'trumpet'), of imitative origin."

History

The earliest trumpets date back to 2000 BC and earlier. The bronze and silver Tutankhamun's trumpets from his grave in Egypt, bronze lurs from Scandinavia, and metal trumpets from China date back to this period. Trumpets from the Oxus civilization (3rd millennium BC) of Central Asia have decorated swellings in the middle, yet are made out of one sheet of metal, which is considered a technical wonder for its time.

The Salpinx was a straight trumpet 62 inches (1,600 mm) long, made of bone or bronze. Homer’s Iliad (9th or 8th century BCE) contain the earliest reference to its sound and further, frequent descriptions are found throughout the Classical Period. Salpinx contests were a part of the original Olympic Games. The Shofar, made from a ram horn and the Hatzotzeroth, made of metal, are both mentioned in the Bible. They were said to have been played in Solomon's Temple around 3,000 years ago. They are still used on certain religious days.

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The Moche people of ancient Peru depicted trumpets in their art going back to AD 300. The earliest trumpets were signaling instruments used for military or religious purposes, rather than music in the modern sense; and the modern bugle continues this signaling tradition.

   

Reproduction baroque trumpet by Michael Laird

Improvements to instrument design and metal making in the late Middle Ages and Renaissance led to an increased usefulness of the trumpet as a musical instrument. The natural trumpets of this era consisted of a single coiled tube without valves and therefore could only produce the notes of a single overtone series. Changing keys required the player to change crooks of the instrument. The development of the upper, "clarino" register by specialist trumpeters—notably Cesare Bendinelli—would lend itself well to the Baroque era, also known as the "Golden Age of the natural trumpet." During this period, a vast body of music was written for virtuoso trumpeters. The art was revived in the mid-20th century and natural trumpet playing is again a thriving art around the world. Many modern players in Germany and the UK who perform Baroque music use a version of the natural trumpet fitted with three or four vent holes to aid in correcting out-of-tune notes in the harmonic series.

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The melody-dominated homophony of the classical and romantic periods relegated the trumpet to a secondary role by most major composers owing to the limitations of the natural trumpet. Berlioz wrote in 1844:

Notwithstanding the real loftiness and distinguished nature of its quality of tone, there are few instruments that have been more degraded (than the trumpet). Down to Beethoven and Weber, every composer – not excepting Mozart – persisted in confining it to the unworthy function of filling up, or in causing it to sound two or three commonplace rhythmical formulae.

Construction

The trumpet is constructed of brass tubing bent twice into a rounded oblong shape. As with all brass instruments, sound is produced by blowing air through slightly separated lips, producing a "buzzing" sound into the mouthpiece and starting a standing wave vibration in the air column inside the trumpet. The player can select the pitch from a range of overtones or harmonics by changing the lip aperture and tension (known as the embouchure).

The mouthpiece has a circular rim, which provides a comfortable environment for the lips' vibration. Directly behind the rim is the cup, which channels the air into a much smaller opening (the back bore or shank) that tapers out slightly to match the diameter of the trumpet's lead pipe. The dimensions of these parts of the mouthpiece affect the timbre or quality of sound, the ease of playability, and player comfort. Generally, the wider and deeper the cup, the darker the sound and timbre.

B♭ trumpet, disassembled

Modern trumpets have three (or, infrequently, four) piston valves, each of which increases the length of tubing when engaged, thereby lowering the pitch. The first valve lowers the instrument's pitch by a whole step (two semitones), the second valve by a half step (one semitone), and the third valve by one and a half steps (three semitones). Having three valves provides eight possible valve combinations (including "none"), but only seven different tubing lengths, because the third valve alone gives essentially the same tubing length as the 1–2 combination. (In practice there is often a deliberately designed slight difference between "1–2" and "3", and in that case trumpet players will select the alternative that gives the best tuning for the particular note being played.) When a fourth valve is present, as with some piccolo trumpets, it usually lowers the pitch a perfect fourth (five semitones). Used singly and in combination these valves make the instrument fully chromatic, i.e., able to play all twelve pitches of classical music. For more information about the different types of valves, see Brass instrument valves.

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The overall pitch of the trumpet can be raised or lowered by the use of the tuning slide. Pulling the slide out lowers the pitch; pushing the slide in raises it. Pitch can be "bent" using the embouchure only.

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To overcome the problems of intonation and reduce the use of the slides, Renold Schilke designed the tuning-bell trumpet. Removing the usual brace between the bell and a valve body allows the use of a sliding bell; the player may then tune the horn with the bell while leaving the slide pushed in, or nearly so, thereby improving intonation and overall response.

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A trumpet becomes a closed tube when the player presses it to the lips; therefore, the instrument only naturally produces every other overtone of the harmonic series. The shape of the bell makes the missing overtones audible. Most notes in the series are slightly out of tune and modern trumpets have slide mechanisms for the first and third valves with which the player can compensate by throwing (extending) or retracting one or both slides, using the left thumb and ring finger for the first and third valve slides respectively.

Trumpets can be constructed from other materials, including plastic.

🎺https://en.wikipedia.org/wiki/Trumpet

History of the Trumpet

The chromatic trumpet of Western tradition is a fairly recent invention, but primitive trumpets of one form or another have been in existence for millennia; some of the predecessors of the modern instrument are now known to date back to the Neolithic era. The earliest of these primordial trumpets were adapted from animal horns and sea shells, and were common throughout Europe, Africa, India and, to a lesser extent, the Middle East. Primitive trumpets eventually found their way to most parts of the globe, though even today indigenous varieties are quite rare in the Americas, the Far East and South-East Asia. Some species of primitive trumpets can still be found in remote places, where they have remained largely untouched by the passage of time.

For the most part, these primitive instruments were "natural trumpets": that is to say, they had none of those devices (fingerholes, keys, slides or valves) by which the pitch of an instrument might be altered. It is in fact quite exceptional to come across a chromatic trumpet – primitive or otherwise – which is not derived from the chromatic trumpet of Western tradition; the bās of Madhya Pradesh in India, which has fingerholes bored into the side of its tube, is one such exception. 

🎺 https://en.wikipedia.org/wiki/History_of_the_trumpet