📽️ Sergueï Eisenstein 🎬
Sergei Eisenstein's 100th + Birthday
Google Doodle Celebrates
The Father Of Montage
The Father Of Montage
The doodle pays tribute to Sergei Eisenstein that shows a series of film rolls in movement therefore depicting iconic imagery in some of Mr Eisenstein's films.
Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage.
Wikipedia
Born: January 22, 1898, Riga, Latvi
Died: February 11, 1948, Moscow, Russia
Spouse: Pera Atasheva (m. 1934–1948)
Books: Film form, The Film Sense, Notes of a Film Director, MOR
Nationality: Russian, Soviet
Died: February 11, 1948, Moscow, Russia
Spouse: Pera Atasheva (m. 1934–1948)
Books: Film form, The Film Sense, Notes of a Film Director, MOR
Nationality: Russian, Soviet
Film montage - an editing technique that pieces together series of frames to form a continuous sequence - is used in popular films like Fight Club, The Godfather and Citizen Kane to name a few.
The film editing technique that is used at several defining moments in films dates back to 1898.
Sergei Eisenstein - known as the father of montage - was a Soviet artist known for films like Battleship Potemkin, Strike and The General Line which are relevance event in today's time.
Today's doodle celebrates the man who brought about the art of montage, Sergei Eisenstein's 120th birthday.
The film editing technique that is used at several defining moments in films dates back to 1898.
Sergei Eisenstein - known as the father of montage - was a Soviet artist known for films like Battleship Potemkin, Strike and The General Line which are relevance event in today's time.
Today's doodle celebrates the man who brought about the art of montage, Sergei Eisenstein's 120th birthday.
The doodle pays tribute to Sergei Eisenstein that shows a series of film rolls in movement therefore depicting iconic imagery in some of Mr Eisenstein's films.
A closer look into the doodle shows sequencing of a number of images in a continuous loop therefore creating the effect of a montage. The doodle also shows a cartoon of a Sergei Eisenstein lookalike, holding a film roll and a scissors depicting a cut or an edit.
Sergei Eisenstein was the one to create a new form called 'montage of attractions' - in which images are chosen and then carefully placed sequentially not in chronology, but in a way that would create larger psychological impact thus communicating his idea to the audience. Along
with his work on defining motion picture, director Sergei Eisenstein contributed to 'realistic' film-making depicting the struggle of downtrodden workers against the ruling class. His notable work, Battleship Potemkin, made on the Revolution of 1905 is widely known as one of the masterpieces in world cinema even today. The film among several other works of Sergei Eisenstein is often termed as the best understanding of the art of motion pictures.
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Eisenstein's Methods of Montage ExplainedRussian Soviet Montage Theory
In this video essay, editor and filmmaker Ryan Charles (www.ryan-charles.com) explores famous Russian film theorist Sergei Eisenstein's famous Methods of Montage contained in his seminal work, FILM FORM. By exploring a number of examples from both modern and classic cinema the essay lays out Eisenstein's Five (5) Methods and how they can be used to affect an audience.
1925: How Sergei Eisenstein Used Montage To Film The Unfilmable
Sergei Eisenstein pioneered the theory of the intellectual montage to express ideas tough film in a new way. He used the his new theory of montage to explore the themes of tsarists oppression in The Battleship Potemkin.
The Battleship Potemkin is a 1925 Soviet silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers.
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