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CBS  Sunday  Morning  Show

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#	CBS Sunday Morning	Time
1	Take it Easy – The importance of Being Lazy	7:36
2	Stunning paper Floral Displays	5:04
3	The plan for a New California City	6:14
4	Martha Stewart on keeping Houseplants	4:26
5	Clearing up Misconceptions about Menopause	8:42
6	David Rockwell on designing "A Sense of Ritual"	3:04
7	A ZOO for Rescued Animals at a Key West Jail	5:16
8	Nature: Weaver Birds in South Africa	1:40
9	Martha Stewart: How to throw a Garden Tea Party	3:38
10	A young boy's Generosity, Rewarded	2:49
11	Building a Medieval Castle from Scratch	4:03
12	How Wordle spells success	2:42
13	The history of Waterford Crystal	4:41
14	NATURE:  Desert Wildflowers	3:59
15	Behind the wheel of a $3 Million Car	4:14

               

Memorial Day 🇺🇸 Celebrations

🇺🇸  5 Ways to Celebrate Memorial Day 🇺🇸

It’s Memorial Day Weekend, and people all over the country are celebrating in remembrance of our fallen soldiers. With so many events (and sales) going on over the entire weekend, it’s hard to know where to start.

There’s plenty of ways for you and your family to honor our troops while enjoying the nice late-Spring weather this weekend. We’ve boiled them down to five great choices.

1. Honor our Fallen Soldiers

The most somber celebrations are likely the most impactful. On Memorial Day, military cemeteries will often hold a remembrance ceremony, with speeches from current or former soldiers honoring those who have fallen in the line of duty.

Many military museums and landmarks are holding similar events for Memorial Day. Military museums are a family-friendly way to learn more about our military and honor our veterans.

2. Attend Memorial-Day Themed Celebrations

Two of the most notable Memorial Day traditions are local parades and baseball games. Many towns host parades to honor fallen heroes on Memorial Day Weekend. These parades will often feature service units as well as local charity organizations. It’s a relaxing and fun way to show your support.

Any baseball fan knows that Memorial Day is an important day for the sport. As “America’s Past-time” baseball stadiums across the country will take time to honor the troops with a flag ceremony and other events during the game. Many stadiums will even have a Blue Angels flight demonstration flyover. For fans, Memorial Day baseball games are an opportunity to support your team and honor fallen heroes at the same time.

3. Support Our Troops Overseas

The most direct way to support our troops is to send a care package. A great way to honor the memory of our fallen heroes is by showing support for their fellow soldiers. Typically, these care packages will include snacks, hygiene items, books, and even video games.

There are a number of organizations that allow you to organize care packages and even “adopt” a soldier to send him letters and cards. Center State Bank has some great information:

https://www.centerstatebank.com/how-to-donatesend-military-care-packages

4. Host Your Own Party Outdoors

Hosting a barbecue or picnic is a common tradition. Fire up the grill, and invite over some family and friends for a Memorial Day party.

You can make it a potluck, so guests can bring whatever type of food they like. Consider even hosting your party on the beach, so everyone can enjoy the waves and the warm sand. Just make sure everyone cleans up afterwards!

5. Have A Fun Adventure Outside

Memorial Day weekend is the perfect time to go out and have an adventure with your family and friends.

As Spring starts to give way to Summer, one thing is consistent: Memorial Day is a great weekend to do activities outside. Whether it’s a weekend spent camping, adventuring out on the water, or even just a hike, the late-spring weather means it’s not-too-hot and not-too-cold.

If you’re not as much of the adventuring type, there are likely plenty of Memorial Day Weekend festivals in your area, including food & beverage festivals, music festivals, car shows, and local fairs.

🇺🇸  https://medium.com/@BANDapp/5-ways-to-celebrate-memorial-day-ddffab86baaa 🇺🇸

               

National 🕺Tap Dance Day💃 May 25th

National Tap Dance Day

National Tap Dance Day falls on May 25th every year and is a celebration of tap dancing as an American art form. The idea of National Tap Dance Day was first presented to U.S. Congress on February 7, 1989 and was signed into US-American law by President George H.W. Bush on November 8, 1989. The one-time official observance was on May 25, 1989. Tap Dance Day is also celebrated in other countries, particularly Japan, Australia, India and Iceland. 
Tap Dance Day is celebrated online, with over 27,518,521 mentions on social media in 2016.

 

Tap dance day can be celebrated with an event which may be organized by a studio or tap dance interest group. Some may also celebrate it individually due to geographical dispersion or lack of access to the wider tap community. National Tap Dance Day is celebrated in many different ways. For example, a studio may send people out onto the streets to teach the "Shim Sham Shimmy" to passers-by. The Shim Sham Shimmy is a popular move that is used in tap dancing.However, there are several cities (particularly in the United States) that have their own performances and events to coincide with Tap Dance Day.

Tap Dance is a type of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. The sound is made by shoes that have a metal "tap" on the heel and toe. There are several major variations on tap dance including: flamenco, rhythm (jazz) tap, classical tap, Broadway tap, and post-modern tap. Broadway tap is rooted in English theatrical tradition and often focuses on formations, choreography and generally less complex rhythms; it is widely performed in musical theatre. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. Classical tap has a similarly long tradition which marries European "classical" music with American foot drumming with a wide variation in full-body expression. Post-modern or contemporary tap has emerged over the last three decades to incorporate abstract expression, thematic narrative and technology.

There are different brands of shoes which sometimes differ in the way they sound. "Soft-shoe" is a rhythm form of tap dancing that does not require special shoes, and though rhythm is generated by tapping of the feet, it also uses sliding of the feet (even sometimes using scattered sand on the stage to enhance the sound of sliding feet) more often than modern rhythm tap. It produced what is currently considered to be modern tap, but has since declined in popularity. 

History

Tap Dance has its roots in the fusion of several ethnic percussive dances, including Spanish flamenco, African tribal dances, English clog dancing and Irish jigs; the relative contribution of different traditions is a point of disagreement among historians and dance scholars. The oldest record of flamenco dates to 1774 in the book Las Cartas Marruecas by José Cadalso. El baile flamenco is known for its emotional intensity, proud carriage, expressive use of the arms and rhythmic stamping of the feet. Tap dance is also believed by some to have begun in the mid-1800s during the rise of minstrel shows. Famous as Master Juba, William Henry Lane became one of the few black performers to join an otherwise white minstrel troupe, and is widely considered to be one of the most famous forebears of tap dance

As the minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Due to the two-colored rule, which forbade black people from performing solo, the majority of Vaudeville tap acts were duets. This gave rise to the famous pair "Buck and Bubbles", which consisted of John "Bubbles" Sublett tap dancing and Ford "Buck" Washington on piano. The duo perfected the "class act", a routine in which the performers wore impeccable tuxedos, which has since become a common theme in tap dance. The move is seen by some as a rebuttal to the older minstrel show idea of the tap dancer as a "grinning-and-dancing clown." John "Bubbles" Sublett is also known famously for popularizing rhythm tap which incorporates more percussive heel drops and lower-body movements.

Another notable figure to emerge during this period is Bill "Bojangles" Robinson, who was a protégé of Alice Whitman of the Whitman Sisters around 1904 (then 'Willie Robinson'). Well-versed in both Buck and Wing dancing and Irish step dancing, Bill Robinson joined the vaudeville circuit in 1902, in a duo with George W. Cooper. The act quickly became famous, headlining events across the country, and touring England as well. In 1908, however, the two had an altercation and the partnership was ended. Gambling on his popularity, Robinson decided to form a solo act, which was extremely rare for a black man at that time. Despite this, he had tremendous success and soon became a world-famous celebrity. He went on to have a leading role in many films, notably in movies starring Shirley Temple.

Shortly thereafter, the Nicholas Brothers came on the scene. Consisting of real-life brothers Fayard and Harold, this team wowed audiences with their acrobatic feats incorporated into their classy style of dancing. They never looked less than suave and were always in total control of their dancing, even in childhood numbers such as Stormy Weather. A notable scene in the movie Stormy Weather features the pair dancing up a staircase and then descending the staircase in a series of leapfrogs over each other into a full split from which they rise without using their hands.

Cab Calloway & The Nicholas Brothers
Jumpin Jive
👇  🕺🏽🕺🏾 👇

During the 1930s tap dance mixed with Lindy hop. "Flying swing-outs" and "flying circles" are Lindy hop moves with tap footwork. In the mid- to late 1950s, the style of entertainment changed. Jazz music and tap dance declined, while rock and roll and the new jazz dance emerged. What is now called jazz dance evolved from tap dance, so both styles have many moves in common. Jazz has since evolved separately from tap dance to become a new form in its own right. Well-known dancers during the 1960s and 1970s included Arthur Duncan and Tommy Tune.

No Maps on My Taps, the Emmy award-winning PBS documentary of 1979, helped begin the recent revival of tap dance. The outstanding success of the animated film, Happy Feet, has further reinforced the popular appeal.

National Tap Dance Day in the United States, now celebrated May 25, was signed into law by President George Bush on November 7, 1989. (May 25 was chosen because it is the birthday of famous tapper Bill "Bojangles" Robinson.) Prominent modern tap dancers have included Sarah Reich, Brenda Bufalino, Melinda Sullivan, The Clark Brothers, Savion Glover, Gregory and Maurice Hines, LaVaughn Robinson, Jason Samuels Smith, Chloe Arnold, Michelle Dorrance, Dulé Hill and Dianne "Lady Di" Walker. Indie-pop band Tilly and the Wall also features a tap dancer, Jamie Pressnall, tapping as percussion.

      

Tap dancers make frequent use of syncopation. Choreography typically starts on the eighth or first beatcount. Another aspect of tap dancing is improvisation. Tap dancing can either be done with music following the beats provided, or without musical accompaniment; the latter is known as "a cappella tap dancing".

Hoofers are tap dancers who dance primarily "closer to the floor", using mostly footwork and not showing very much arm or body movement. Steve Condos developed an innovative rhythmic tap style that influenced the work of later tap dancers such as Gregory Hines and Savion Glover. Condos passed his knowledge on to his protege Marshall L. Davis Jr. The majority of early hoofers, such as Sammy Davis Jr., Glover, Hines, and LaVaughn Robinson were African American men. Savion Glover helped bring tap dance into mainstream media by choreographing Happy Feet, a film about a tap dancing penguin. Another well-known tap film is 1989's Tap, starring Gregory Hines and many old-time hoofers.

Early tappers like Fred Astaire provided a more ballroom look to tap dancing, while Gene Kelly introduced ballet elements and style into tap. This style of tap led to what is today known as Broadway style, which is popular in American culture. It often involves high heeled tap shoes and show music, and is usually the type of tap first taught to beginners. Examples of this style are found in Broadway musicals such as Anything Goes and 42nd Street.

Common tap steps include the shuffle, shuffle ball change, double shuffle, leap shuffle, hop shuffle, flap, flap ball change, running flaps, flap heel, cramproll, buffalo, Maxi Ford, Maxi Ford with a pullback, pullbacks, wings, Cincinnati, the shim sham shimmy (also called the Lindy), Irish, waltz clog, the paddle roll, the paradiddle, stomp, brushes, scuffs, spanks, riffs, and single and double toe punches, hot steps, heel clicks, time steps, over-the-tops, military time step, New Yorkers, Shiggy Bops, drawbacks, and chugs. In advanced tap dancing, basic steps are often combined together to create new steps. Many steps also have single, double, and triple versions, including pullbacks, timesteps, and drawbacks. In tap, various types of turns can be done, including step heel turns, Maxi Ford turns, cramproll turns, and drag turns. Timesteps are widely used in tap and can vary in different areas. These consist of a rhythm that is changed to make new timesteps by adding or removing steps.

Tap dancing can also be done using an a cappella method, in which no musical accompaniment is provided and dancers creating their own "music" through the sounds of their taps.

In group tap dances, the steps are typically kept simple and easy to control. The group of dancers must work together to create the sound, keeping their steps at the correct speed to match each other.

Tap shoes

In the earliest years of tap dancing, tap shoes often had wooden soles, but most tap shoes since have had leather soles. Today, it is common for manufacturers of tap shoes to also produce and fix taps. There are a variety of styles of shoe: the Oxford is very common in jazz dance and the Mary Jane is common for younger girls in tap classes.  Tap shoe makers include Bloch, Sansha and Capezio. 

Taps

Metallic taps were added to tap shoes in 1910. Before that tap shoes used wood to produce a distinct tapping sound. Castanets were commonly used for larger shows with full orchestration. Depending on manufacturer and model, tap characteristics can vary considerably. For example, some taps have relatively low weight and small footprint, whereas others may be thicker and fill out the edge of the shoe more, making them heavier as a result. A tap's "tone" is influenced by its weight as well as its surface shape, which may be concave or convex. The tonal quality of a tap can also be influenced by the material it is made from, and the presence of a soundboard (though there is some debate whether this affects the sound). 

Taps are mounted to the sole of the shoe with screws, and sometimes adhesive as well. The screws are driven into a soundboard – a thin fiberboard integrated into the sole that can be firmly "gripped" by the screws – to reliably attach the tap to the shoe. When no adhesive is used, the screws can be loosened or tightened to produce different sounds, whereas tonal quality is fixed when adhesive is used.

https://en.wikipedia.org/wiki/Tap_dance

https://en.wikipedia.org/wiki/Jimmy_Slyde

National Tap Dance Day – May 25

http://shutupanddancealready.tumblr.com/archive 

https://shutupanddancealready.tumblr.com/  

https://en.wikipedia.org/wiki/National_Tap_Dance_Day
https://en.wikipedia.org/wiki/National_Dance_Day

               

Chansons 🇫🇷 Ne Me Quitte Pas🌍Multi Languages🇺🇳

  Chansons  🇫🇷  (1960)

Jacques Brel

🇫🇷  Ne Me Quitte Pas 🎼

🇬🇧  If You Go Away   🇮🇹  Non Andare Via

🇪🇸 No Me Dejes No   🇩🇪 Bitte Geh Nicht Fort

🌍Other Song Covers🌎 🇬🇷  🇵🇱  🇵🇹/🇧🇷  🇹🇷  🇺🇳 🌏

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Moi, je t'offrirai des perles de pluie venues de pays où il ne pleut pas

Ne me quitte pas est une chanson de Jacques Brel sur la rupture amoureuse, écrite et composée avec son pianiste Gérard Jouannest et enregistrée par Brel en 1959.  

La chanson est écrite après la séparation de Brel et de sa maîtresse Suzanne Gabriello dont il était amoureux depuis 1955 mais qui mit fin à leur relation. 

*

Place dans les classements

En novembre 1999, l'institut CSA réalise un sondage pour Le Parisien et La Cinquième dans lequel 31 % des personnes interrogées considèrent Ne me quitte pas comme la meilleure chanson du XX^e siècle. En mai 2015, selon un sondage BVA, elle est désignée deuxième chanson préférée des Français derrière Mistral gagnant de Renaud et devant L'Aigle noir de Barbara. Trois ans plus tard, Ne me quitte pas retrouve la première place (qu'elle a longtemps occupée), selon un sondage du site Riffx; cette position est confirmée en 2020 par Thomas Pawlowski dans son livre Les 1 000 Chansons préférées des Français. 

"Ne me quitte pas" ("Don't leave me") is a 1959 French song by the Belgian chansonnier (singer-songwriter) Jacques Brel.

It has been covered in the original French by many artists and has also been translated into and performed in many other languages.  🇬🇧/🇺🇸/🇨🇦   🇮🇹   🇪🇸   🇬🇷   🇩🇪   🇵🇱   🇵🇹/🇧🇷   🇹🇷

A well-known adaptation, with English lyrics by Rod McKuen, is "If You Go Away".

"Ne me quitte pas" is considered by some as "Brel's ultimate classic". It was written after Brel's mistress "Zizou" (Suzanne Gabriello) threw him out of her life. 

Brel first recorded the song on 11 September 1959, and it was released on his fourth album La Valse à mille temps.  In 1961 a Dutch-language version sung by Brel was released on the Philips label; entitled "Laat me niet alleen", with lyrics by Ernst van Altena, it was a B-side to Marieke (also a Dutch-language version). Brel recorded "Ne me quitte pas" again as the title track of his 1972 album.

In a 1966 interview, Brel said that "Ne me quitte pas" was not a love song, but rather "a hymn to the cowardice of men", and the degree to which they were willing to humiliate themselves.

The lyrics "Moi, je t'offrirai des perles de pluie venues de pays où il ne pleut pas" ("I'll offer you rain pearls from lands where it does not rain") are sung to a theme borrowed from the second part, Lassan (Andante), of the Hungarian Rhapsody No. 6 by the composer Franz Liszt.

In popular culture

The song was used in season 1 episode 19 of the critically acclaimed TV show Person of Interest and in the final episode of Mr. Robot. It was also used in season 1 finale of The Leftovers. "Ne Me Quitte Pas" was used by Spanish filmmaker Pedro Almodóvar in his sixth film, Law of Desire, in a striking performance by Brazilian singer Maysa Matarazzo.